Day 12:01 am
In Part 1 of this post I wrote about the books On Roads: A Hidden History by Joe Moran, which is a multi-layered, interconnected wandering along sometimes semi-hidden or semi-forgotten history in relation to roads and Autophoto by Editions Xavier Barral and Fondation Cartier pour l’art contemporain, which is a collection of car and road orientated photography, often with a more fine art/expressive slant.
Some of the photographs in Autophoto document cars abandoned amongst nature and plantlife; online there is a considerable amount of similar photography alongside that of abandoned roads, which is a subsection of imagery that focuses on recording abandoned and derelict buildings, infrastructure etc.
Photographs of cars abandoned in natural settings can often appear quite stylised and arranged but this “styling” has happened naturally with the passing of time, something such photographs record via the decay of the vehicles and the spread, growth and reclaiming nature of the plants.
Both the photographs and the cars/locations themselves also are often a form of time capsule in the way that they can provide fading but resilient snapshot of previous eras’ design and aesthetics and the cars themselves can be seen to become a form of three dimensional recording of echoes from the past.
The books, images and web pages in Part 1 and 2 of this post could be filed alongside previous wanderings at A Year In The Country amongst the dust, history and spectres of cars and roads:
1) Edward Chell’s Soft Estates which is an artistic and text-based exploration of the edgeland areas that surround roads.
2) Landgdon Clay’s Cars New York City, 1974-1976 which is a beautifully photographed and produced book of cars parked in almost peopleless streets at night which have a subtly eerie quality.
3) Martin Parr’s Abandoned Morris Minors of the West of Ireland which is a very specific documentary recording that as with some of the above photography at times reflects the contradictory beauty that can be found in images of abandoned examples of people’s industry against a backdrop of nature.
Joe Moran: On Roads and Asphalt Memories
Stub Streets & Ghost Ramps: The Abandoned Motorways of Britain
A Brief Compendium of Abandoned Roads to Nowhere
NH4939 : Abandoned van, in Boblainy forest
Theo Van Vliet’s photographs of a forest full of abandoned cars
Dieter Klein’s “250 cars in a wood”
Edward Chell’s Soft Estate
Langdon Clay’s Cars – New York City, 1974 – 1976
Martin Parr’s Abandoned Morris Minors of the West of Ireland
Elsewhere at A Year In The Country:
1) Day #115/365: Edward Chell’s Soft Estates – documents of autobahn edgelands
2) Wanderings #7/52a: Brutalist Breakfasts
3) Ether Signposts #19/52a: Martin Parr’s Abandoned Morris Minors of the West of Ireland via the Café Royal Books Archive
4) Wanderings, Explorations and Signposts 33/52: Langdon Clay’s Cars – New York City, 1974-1976 -Part 1 – Post-Populuxe Ghosts That Brood While the City Sleeps
5) Wanderings, Explorations and Signposts 34/52: Langdon Clay’s Cars – New York City, 1974-1976 – Part 2 – Totemic Spectres and Signifiers
6) Wanderings, Explorations and Signposts 43/52: Wandering the Roads Part 1 – On Roads a Hidden History and Ballardian Close-Ups