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Day #287/365: Artifact #41/52; Howlround Torridon Gate CD released – Dawn, Day, Dusk & Night Editions

The CDs are now sold out but the album is available to download at our Bandcamp page.

Howlround Torridon Gate CD.
Dusk Edition £10.00. Dawn Edition £12.00. Day Edition. £18.00.  Night Edition £25.00.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-all items

 

 

 

 

Audiological Research and Pathways; Case #6.
Audiological contents: Torridon Gate (23.43 minutes).

All of the music on this album was created from a single recording of a front garden gate on Torridon Road in Hither Green, London. These sounds were captured using a contact microphone and processed, looped and edited on three reel-to-reel tape machines with all electronic effects or artificial reverb strictly forbidden.

All editions custom printed and hand-finished by A Year In The Country.

Available via our: Artifacts ShopDiscogs Audiological Archive and our Bandcamp Ether Victrola.
Includes free UK shipping. Normally ships in 7-14 days.

 

Dusk Edition. Limited to 52 copies. £10.00.
Hand-finished all black CDr in matt recycled sleeve with insert.
Howlround-Robin The Fog-Chris Weaver-Dusk Edition-front of sleeveHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-all black CDr
Top of CDr.                                                            Bottom of CDr.

Howlround-Robin The Fog-Chris Weaver-Dusk Edition-front of sleeve disc and insertHowlround-Robin The Fog-Chris Weaver-Dusk Edition-front of sleeve disc and insert-2

Printed using archival Giclée pigment ink.

Back of the insert is hand numbered.

 

Dawn Edition. Limited to 52 copies. £12.00.
Hand-finished white/black CDr album in textured recycled fold out sleeve with insert and badge.Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Dawn Edition-front of sleeveHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-white black CDr
Top of CDr.                                                         Bottom of CDr.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Robin The Fog-Chris Weaver-Dawn Edition-inside of sleeve 2Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Countryr-Dawn Edition-inside of sleeve

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Dawn Edition-back of sleeve
Custom printed using archival Giclée pigment ink.

Includes 25mm/1″ badge, secured with removable glue on a tag which is string bound to the sleeve.

Back of the insert is hand numbered.

 

Day Edition. Limited to 52 copies. £18.00.
Hand-finished white/black CDr album in 10 page string bound booklet packaging.
Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Day Edition-front of bookletHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Dawn Edition-reel and transparent pageHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Day Edition-reel with transparent text page on topHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-white black CDr
Top of CDr.                                                         Bottom of CDr.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-black tissue paper and wax seal wrapping
Day Edition Details:

1) Booklet custom printed using archival Giclée pigment ink.

2) Wrapped in wax sealed, hand stamped black tissue paper.

3) White/black CDr (white on top, black on playable side).

4) Jute string bound 14.4cm x 13.2cm booklet:
a) Hand bone creased cover.
b) 10 pages (5 sides printed);
c) Front and rear covers are printed on 310gsm textured fine art cotton rag paper.
d) Two inner sheets are printed on 245gsm paper.
e) One inner sheet is printed on semi-transparent 110gsm vellum paper.
f) Hand numbered.
5) CDr held in protective fleece-lined sleeve.

 

Night Edition. Limited to 52 copies. £25.00.
Hand-finished box-set contains: album on all black CDr, 12 page string bound booklet, 4 x 25mm badge pack, 1 x original Howlround tape cutting pack.
Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-all parts-narrow border-Night EditionHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-closed box-Night EditionHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-open box-Night EditionHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-badge and tape packs-Night EditionHowlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-all black CDr
Top of CDr.                                                            Bottom of CDr.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Night Edition-inner page Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-reel and transparent page-Night Edition Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-reel with transparent page laid on top-Night Edition


Night edition details:

1) Booklet/cover art custom printed using archival Giclée pigment ink.

2) Contained in a matchbox style sliding two-part rigid matt card box.

3) Printed box cover print.

4) Fully black CDr (black on top, black on playable side).

5) Black string bound 12.8cm x 12.8cm booklet:
a) Hand numbered.
b) Hand bone creased cover.
c) 12 pages (6 sides printed).
d) Front and rear covers are printed on 310gsm textured fine art cotton rag paper.
e) Two inner sheets are printed on 245gsm paper.
f) Two inner sheets are printed on semi-transparent 110gsm vellum paper.

6) 4 x 25mm/1″ badge set, contained in a see-through polythene bag with a folded card header.

7) Pack containing original Howlround tape cutting.

 

Credits:

Produced by Robin The Fog & Chris Weaver, April – June 2014.

Mastered by James Edward ‘Butterscotch’ Barker.

Presented with gratitude to Tony Alpe and Kathryn Everett.

Artwork by Robin The Fog.

Packaging design by AYITC Ocular Signals Department.

www.howlround.co.uk

 


Available via our: Artifacts ShopDiscogs Audiological Archive and our Bandcamp Ether Victrola.
Includes free UK shipping. Normally ships in 7-14 days.

 

Visit the ghost signals of Howlround at Day #142/365 of A Year In The Country.

 

The library of A Year In The Country Audiological Research and Pathways series includes:

Case Study #1: Grey Frequency: Immersion
Case Study #2: Hand of Stabs: Black-Veined White
Case Study #3: Michael Tanner: Nine of Swords
Case Study #5: She Rocola: Burn The Witch / Molly Leigh Of The Mother Town
Case Study #6: Howlround: Torridon Gate

Grey Frequency-Immersion-Night Edition-A Year In The Country-2Hand of Stabs-Black-Veined White-Night Edition-boxset-A Year In The CountryMichael Tanner-Nine Of Swords-Night Edition-box set-A Year In The Country

 

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Howlround – Torridon Gate: Audio Visual Archive 26/52

Artwork by Robin The Fog for Howlround’s Torridon Gate album.

 

“All of the music on this album was created from a single recording of a front garden gate on Torridon Road in Hither Green, London. These sounds were captured using a contact microphone and processed, looped and edited on three reel-to-reel tape machines with all electronic effects or artificial reverb strictly forbidden.” (Quoted from Howlround.)

 

“Whilst the BBC’s Radiophonic Workshop are often (justifiably) name-checked in relation to Howlround, Torridon Gate’s obvious predecessor is Pierre Henry’s Variations Pour une Porte et un Soupir (1963). Maurice Béjart created a ballet based on it… Howlround’s recording succeeds by obfuscating the source, rendering the ‘real’ unreal and transforming the ordinary into an other-worldly phenomenon. The simple metal gate becomes a portal to…the spirit world of inanimate objects? Or can we hear the ghosts of all those who have passed through ‘the gate’ to life beyond this one we know? The gate as metaphor…if you like. Wherever your imagination takes you, Torridon Gate is an urban source response to the dark moors and haunted woods mythology of modern folklorist music-makers. In that sense, it is more ‘homely’, but the resulting sounds take you very far away indeed.” (Quoted from a review by Robin Tomens at Include Me Out.)

 

Links:

 

Elsewhere at A Year In The Country:

 

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Howlround – Torridon Gate: Audio Visual Archive 5/52

Artwork by Robin The Fog for Howlround’s Torridon Gate album.

 

All of the music on this album was created from a single recording of a front garden gate on Torridon Road in Hither Green, London. These sounds were captured using a contact microphone and processed, looped and edited on three reel-to-reel tape machines with all electronic effects or artificial reverb strictly forbidden.” (Quoted from Howlround.)

 

“23 minutes of spectral splendour made entirely out of sounds produced from a garden gate!… An amazing achievement, sort of like the missing link between Ekoplekz and On Land, or Stahlmusik gaseously expanded into Kosmische Musik.” (Quoted from a review by Simon Reynolds at Blissblog.)

 

“Whilst the BBC’s Radiophonic Workshop are often (justifiably) name-checked in relation to Howlround, Torridon Gate’s obvious predecessor is Pierre Henry’s Variations Pour une Porte et un Soupir (1963). Maurice Béjart created a ballet based on it… Howlround’s recording succeeds by obfuscating the source, rendering the ‘real’ unreal and transforming the ordinary into an other-worldly phenomenon. The simple metal gate becomes a portal to…the spirit world of inanimate objects? Or can we hear the ghosts of all those who have passed through ‘the gate’ to life beyond this one we know? The gate as metaphor…if you like. Wherever your imagination takes you, Torridon Gate is an urban source response to the dark moors and haunted woods mythology of modern folklorist music-makers. In that sense, it is more ‘homely’, but the resulting sounds take you very far away indeed.” (Quoted from a review by Robin Tomens at Include Me Out.)

 

More details on Torridon Gate here and at Bandcamp here.

Visit Howlround’s site here and Robin The Fog’s site here.

 

Elsewhere at A Year In The Country:

  1. Day #142/365: Fog Signals/Ghost signals from lost transmission centres
  2. Day #296/365: Howlround’s ether handbill… and a hop, skip and jump to curious links between mirror world reflections of our times, the work of previous audiological explorers, certain English gents and printed/bound spectral considerations…
  3. The Seasons, Jonny Trunk, the BBC Radiophonic Workshop and Howlround – A Yearning for Library Music, Experiments in Educational Music and Tape Loop Tributes: Chapter 38 Book Images
  4. Day #356/365: Audiological Reflections and Pathways #6; fading vessellings
  5. Audiological Transmission #14​​/​​​​​52: The Quietened Village – Howlround – Flying Over A Glassed Wedge
  6. Audiological Transmission #35/​​52​​: Howlround – Torridon Gate (excerpt)

 

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Audiological Transmission #35/​​52​​: Howlround – Torridon Gate (excerpt)

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-2Revisitation #6.

We thought it would be nice to wander back to Howlround’s Torridon Gate which was produced in the following manner:

All of the music on this album was created from a single recording of a front garden gate on Torridon Road in Hither Green, London. These sounds were captured using a contact microphone and processed, looped and edited on three reel-to-reel tape machines with all electronic effects or artificial reverb strictly forbidden…

Transmissions sent, received, transmitted…

Back when there was a fair amount of considering and scribing about the album. Below is a selection of just a few of such things:

“…the missing link between Ekoplekz and On Land, or  Stahlmusik gaseously expanded into Kosmische Musik…
Simon Reynolds at Blissblog.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-tape cutting loop spool

Torridon Gate is a different beast, essentially a manipulated field recording of a garden gate. But what a gate!… The Torridon Gate is a sonic symbol of a time and place, preserved by Howlround as a reminder not only of durable things, but of durable memories.  Few would recognize this as a field recording; it comes across as an experimental electronic piece, haunted by echo and hum.  The expected creaks are present, yet in these recordings, one can also hear ghosts… If one’s gate sounded like this, would one venture outside to close it?  Perhaps not.  But one’s gate does sound like this; we’re simply unable to hear it.  This is the whole point of A Year In The Country’s Artifact Shop –  to uncover what is veiled, even if it remains beyond our comprehension.
Richard Allen at A Closer Listen.

Torridon Gate will transport you – from Jupiter’s Moons to the Mines Of Moria. You might be led to believe that the Gate is an extraterrestrial artifact to fold space and time, but in fact, it’s just an ordinary garden gate.”
Forest Punk

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Day Edition-reel with transparent text page on top

Beautifully different, utterly chillingly and curiously affecting. …There is something… at play here; a desire to manipulate sound, twist it into shapes that emote, that frighten, entrance and ultimately affect the listener on a deep, instinctive, physical and emotional level…”
Grey Malkin at The Active Listener

The gate’s squeaks become sounding mountains, and clouds of melodic atmospheres float through the piece. It’s an ordinary object made hauntingly strange.
Louise Gray at Music Works.

Howlround’s recording succeeds by obfuscating the source, rendering the ‘real’ unreal and transforming the ordinary into an other-worldly phenomenon…
Robin Tomens at Include Me Out.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-A Year In The Country-Day Edition-front of booklet

This third album from London’s finest manipulators of magnetic tape, Howlround, is a slow burning, deeply atmospheric corker.  Produced entirely from recordings made from the gate referenced in the title, the duo of Robin (the Fog) and Chris (Weaver) have coaxed a dizzying array of unsettling and even sorrowful sounds from this most functional of objects and have layered them to astonishing effect.
Ian Holloway at The Quiet World.

 

Howlround related wanderings around these parts:
Day #142/365: Fog Signals/Ghost signals from lost transmission centres

Day #296/365: Howlround’s ether handbill… and a hop, skip and jump to curious links between mirror world reflections of our times, the work of previous audiological explorers, certain English gents and printed/bound spectral considerations…

Day #356/365: Audiological Reflections and Pathways #6; fading vessellings

 

Howlround can be found in the ether here. Erstwhile Howlround-ers Robin The Fog and Christopher Weaver can be found here and here.

The album can be found at our Artifacts Shop and our Bandcamp Ether Victrola.

 

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Day #296/365: Howlround’s ether handbill… and a hop, skip and jump to curious links between mirror world reflections of our times, the work of previous audiological explorers, certain English gents and printed/bound spectral considerations…

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-tape cutting loop spool
File under: Trails and Influences: Recent Explorations. Case #40/52.

Recently I was reading a zeros and ones handbill sent by Howlround/Robin The Fog that related to some work I was involved with sending forth into the world.

It was curious to read as although that was the case (ie my connection with it), it made me want to wander off and find out about the work. Piqued the old curiousity as it were.

So, with that in mind, I thought this particular handbill deserved another audience (slightly abridged/edited for this particular place in the ether):

Hello you. Welcome to the very fourth in a highly irregular series of updates from the life and times of Robin The Fog and the radiophonic tape-loop wranglers Howlround…

We shall start with this sighting above Hither Green:Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-6

Following The Ghosts Of Bush and Secret Songs Of Savamala, both composed entirely from acoustic recordings taken from historically-and-sonically-interesting buildings; many people have been asking us what Howlround’s next ‘sound portrait’ might be. Now, after months of working away in secret, we can finally reveal the rather surprising answer: Torridon Gate. All of the music on this new album was created from a single recording of a suburban garden gate on Torridon Road, Hither Green, London. Just that.

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-multiple copies

We attached a contact microphone to the metalwork of the gate and recorded as it opened and shut and moved in the wind. These sounds were then processed, looped and edited on three reel-to-reel tape machines with all electronic effects or artificial reverb strictly forbidden. Despite these restrictions, we like to think the results are as haunting and beguiling as anything from our previous albums, shifting from ethereal tone-patterns to demonic scrunches and back again – a long journey from the pleasant suburban street where it all began. Who would have thought a single ‘common or garden’ gate (pun intended) could offer such hidden wealth? Well, perhaps the two good folks below had an inkling…

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-3The project started life as a prize on this years Resonance FM fundraising auction, but quickly spiralled out of control, and we’re very grateful to gate-owners Tony and Kath, not only for their generous winning bid; but also for allowing us to share the results. ‘The gate was one of the things that attracted us to the house in the first place’ says Tony.

I suppose one of the reasons I wanted to replicate the above handbill (or have strands of electrons do that for me – see Day #294/365) is because it made me think and ponder upon the way that Howlround are often mentioned in the sense of belonging to a lineage that stretches back to The Radiophonic Workshop…

…to me they share a similar sense of audiological technology related exploring but in a way that interestingly is also a mirror of our times and a mirror world reflection of the work of The Radiophonic Workshop.

BBC Records and Tapes-The Radiophonic Workshop-A Year In The CountryThe Radiophonic Workshop existed at a time when the tools for the electronic creation and manipulation of music/sounds were quite limited and so they used what was to hand, repurposed it and literally built things from the ground up. This seemed to involve a fair old bit of the physical manipulation of recording medium and the instruments that they had imagined into the world

Howlround carry on in that tradition of the physical manipulation of recording mediums but this is carried out in a time of technological plenty… and so hence my thinking of how their work and the techniques used to create it are a mirror of our times.

In times of plenty, sometimes the difficult thing to do can be filtering out all the endless possibilities, narrowing down your palette.

Which got me to thinking of Mr Billy Childish.

Billy Childish-Wolf Howard-A Year In The Country

Now, it’s not necessarily an obvious or easy hop, skip and jump from the tape-wrangled soundcapes of Howlround to thee kitchen sink punk of Billy Childish but in a way it is:

…in the fifties and sixties… discipline was given to you by the limitatations of the material or the technology. But what happened next is that people decided those limitations were a problem rather than the life. Nowadays, to have any sensible life, you have to artificially impose limitations. Otherwise you have limitlessness, and limitlessness is the opposite of freedom.” Billy Childish, quoted in Simon Reynolds Retromania book.

(Along which lines, the chap in the foreground of the above photograph is sometimes Stuckist, sometimes  beatsman and sometimes worker in pre zero and ones lightcatchingMr Wolf Howard.)

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-A Year In The Country-badge packs

Anyway, as I type, my thoughts wander to some of Mark Fisher’s writing in Ghosts Of My Life that I’ve visited around these parts before, where he talks about how creating new work can:

“…depend upon certain kinds of withdrawal from, for instance, sociality as much as from pre-existing cultural forms but the currently dominant form of socially networked cyberspace, with its endless opportunities for micro-contact… has made withdrawal more difficult than ever before… in recent years, everyday life has sped up but culture has slowed down…”

Mark-Fisher-Ghosts-of-My-Life-zeros-and-ones-tape loop-tape reel to reel-Howlround-A-Year-In-The-Country

Hmmm. Sustenance for thought as it were.

Why Don’t You Just Switch Off Your Television Set And Go Out And Do Something Less Boring Instead?” seems kind of appropriate here (and yes, the irony/contradiction of that being the full title of a television program and replicated on, well, a modern-day television screen by my good self/strands of electrons is not in the lost part of the lost-and-found section around these parts).

Howlround-Torridon Gate-Robin The Fog-Chris Weaver-Resonance FM-tape cutting packs-A Year In The Country-lighter 1200

Visit Howlround in the ether here. Visit Torridon Gate in this particular ether here.

Visit Mr Billy Childish (a little curiously I tend to think) in the ether here. Visit Mr Billy Childish and companions in this particular ether here.

Visit Mark Fisher in the ether here. Visit Mark Fisher in this particular ether here.

Visit Simon Reynolds in the ether here. Visit Simon Reynolds in this particular ether here.

Visit the original handbill pasted to the telegraph poles of the ether here.

 

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A Year In The Country at Electronic Sound – Wanderings Amongst Escapee Phantoms and the Layers Under the Land: Artifact Report #51/52a:

Electronic Sound magazine-2016-2017-A Year In The Country album reviews-1c

Over this year and last, the A Year In The Country album releases have received a fair old bit of support from Electronic Sound magazine.

So, with the year coming to an end and this year’s final A Year In The Country release – All The Merry Year Round –  having recently been written about in issue 36, the last of the year, I thought that about now would be a good time to gather together the reviews in the magazine…

Electronic Sound Magazine-issue 21-Fractures album review-A Year In The Country

On Fractures: “A skillfully weighted blend of dark folklore and synthesised experimentation…”

The Restless Field review-Electronic Sound magazine-issue 30-photograph

On The Restless Field: “…a wonderfully curated concept album that rips up the green grass of the idyllic countryside and forces you to consider the darker undergrowth. Beautifully unnerving stuff.”

Electronic Sound magazine-issue 31-Fracture album CD review-A Year In The Country-2

On From The Furthest Signals: “The ghosts are out of the machines.”

Undercurrents-A Year In The Country album review-Electronic Sound magazine-issue 32

On Undercurrents: “The countryside is often over romanticised, usually by those who don’t live there. A Year In The Country has dug a little deeper and hit on something much more profound to end up, if you’lll excuse the pun, in a field of his own.”

Electronic Sound magazine-issue 35-The Quietened Cosmologists review-A Year In The Country

On The Quietened Cosmologists: “Another issue, another release from the ever excellent A Year In The Country…”

(Why thankyou, good sirs !)

Electronic Sound magazine-issue 36-All The Merry Year Round album review-CD-A Year In The Country-2

On All The Merry Year Round: “And my, what a way to end 2017… Albion’s hauntology has never sounded so bewitching.”

Which seems like something of a good note to end this post on.

Thanks and a tip of the hat to all at and who have written the pieces for Electronic Sound, in particular Push, Neil Mason, Finlay Milligan and Ben Willmott.

Also to everybody who created the music: Circle/Temple, Sproatly Smith, Keith Seatman, Listening Center, The British Space Group, The Hare And The Moon, Alaska, Michael Begg, Time Attendant, The Rowan Amber Mill, Polypores, David Colohan, Howlround, Field Lines Cartographer, Vic Mars, Bare Bones, Assembled Minds, Grey Frequency, Endurance, Pulselovers, Depatterning, Sharron Kraus, Magpahi, Unit One, Cosmic Neighbourhood, Jo Lepine and United Bible Studies and The Séance.

Visit Electronic Sound here.

The albums can be perused at our Artifacts Shop, Bandcamp and Norman Records.

 

Index: Year 1

Click the links below to peruse the indexes for the different years of A Year In The Country:

All Years     –      Year 1     –      Year 2      –      Year 3      –     Year 4      –      Year 5      –     Year 6      –     Year 7      –     Year 8

 

250-Scary trees-for first page-A Year In The Country Day #1/365: Welcome To A Year In The Country
250-Image-1-A-Year-In-The-Country-cliff-575x190 Day #2/365: Image A
250-0001-A-Year-In-The-Country-Gather-In-The-Mushrooms-Bob Stanley-acid folk-psych folk Day #3/365: Gather In The Mushrooms: something of a starting point via an accidental stumbling into the British acid folk undeground
250-0002-A-Year-In-The-Country-Electric-Eden-Rob-Young-376x575-A Year In The CountryDay #4/365: Electric Eden; a researching, unearthing and drawing of lines between the stories of Britain’s visionary music
250-Artifact-1-print-photograph-A Year In The Country Day #5/365: Artifact #1/52. now available.
250-Day-6-The-Fallen-By-Watch-Bird-Jane-Weaver-1-A-Year-In-The-Country-575x314Day #6/365: The Fallen By Watchbird – Jane Weaver Septieme Soeur; the start of a journey through cosmic aquatic folklore, kunstmärche and otherly film fables…
250-Day-7-Devon-Folklore-Tapes-Vol-IV-Magpahi-and-Paper-Dollhouse-A-Year-In-The-Country-2 Day #7/365: Folklore Tapes; the ferrous reels of arcane research projects…
image-u-a-year-in-the-countryDay #8/365: Image B
250-Wyrd-Britannia-Festival-A-Year-In-The-Country-575x406Day #9/365: Wyrd Britannia Festival
250-Day-10-The-Auteurs-How-I-Learned-To-Love-The-Bootboys-A-Year-In-The-Country-575x575 Day #10/365: The Auteurs – How I Learned To Love The Boot Boys; our most non-hauntological hauntologist…
250-Day-11-Teach-Me-To-Be-A-Summer-Morning-b-Lal-Waterson-A-Year-In-The-Country-474x575Day #11/365: Lal Waterson – Teach Me To Be A Summers Morning
250-0009-Wirey-trees-4tu-yep-A-Year-In-The-Country-575x190 Day #12: Image C
250-Day-13-The-Wall-Die-Sind-2012-A-Year-In-The-Country-386x575 Day #13/365. The Wall / Die Wand… a vision from behind the walls of pastoral science fiction…
250-Artifact-2-Photo-1200-bw-2-575x413Day #14/365. Artifact #2/52 released.
250-Day-14-The-Twilight-Language-Of-Nigel-Kneale-Strange-Attractor-A-Year-In-The-Country-575x414 Day #15/365. The Twilight Language Of Nigel Kneale
250-Day-12-Moon-6c-tu-and-with-slight-A-Year-In-The-Country-575x190 Day #16/365: Image D
250-Day-15-Image-E-575x190 Day #17/365: Image E
250-Day-16-Willows-Songs-b-Finders-Keepers-A-Year-In-The-Country-575x481Day #18/365: Willows Songs
250-Day-17-Once-A-Year-cover-Homer-Sykes-A-Year-In-The-Country Day #19/365: Once a Year – Homer Sykes
250-Artifact-3-badge-pack-bw-1200-412x575 Day #20/365. Artifact #3/52 released.
250-Day-18-In-The-Dark-Half-2012-Film-Poster-Alistair-Siddons-A-Year-In-The-Country-575x431 Day #21/365: In The Dark Half
250-Day-19-Image-FWithout-snake-A-Year-In-The-Country-575x190Day #22/365: Image F
250-Day-23-The-Stone-Tape-Nigel-Kneale-A-Year-In-The-Country-2-575x409 Day #23/365: Nigel Kneale’s The Stone Tape – a study of future haunted media
250-Day-24-Dark-Peak-White-Peak-Paul-Hill-Dewi-Lewis-Cornerhouse-A-Year-in-The-Country-6 Day #24/365. Dark Peak White Peak by Paul Hill
250-A-Year-In-The-Country-Image-G-575x190-1Day #25/365. Image G
250-Day-25-Christopher-Priest-Dreams-Of-Wessex-A-Year-In-The-Country-4-575x466 Day #26/365. Christopher Priest – A Dream of Wessex and dreams of the twentieth century
image-h-a-year-in-the-country-2 Day #27/365: Image H
250-Artifact-4-Meme-all-images-A-Year-In-The-Country-bw-575x435 Day #28/365. Artifact #4/52 released
250-0029-Alison-Goldfrapp-Performer-As-Curator-The-The-Lowry-A-Year-In-The-Country-5-575x534 Day #29/365: Alison Goldfrapp – Performer As Curator and a wander through crumbling textures
250-0030-The-Owl-Service-The-View-From-A-Hill-A-Year-In-The-Country-575x537Day #30/365: The Owl Service – A View From A Hill
250-0031-Image-I-Poles-A-Year-In-The-Country-575x190 Day #31/365: Image I
250-Echo-Of-Light-Folklore-Tapes-Wyrd-Britannia-A-Year-In-The-Country-3-564x575 Day #32/365: Wyrd Britannia, Folklore Tapes, Magpahi, Tales From The Black Meadow and English Libraries
250-Broadcast-and-The-Focus-Group-video-still-A-Year-In-The-Country-2Day #33/365: Broadcast and the Focus Group Investigate Witch Cults of the Radio Age and the recalibrations of past cathode ray stories…
250-Image-J-A-Year-In-The-Country-575x190 Day #34/365: Image J
250-Artifact-5-A-Year-In-The-Country-They-Come-Unbidden-4-bw Day #35/365. Artifact #5/52: They Come Unbidden book released
250-Psychedelic-Folklorist-6-A-Year-In-The-Country-476x575 Day #36/365: Psychedelic Folkloristic and niche corners of the electronic ether
250-Folk-Horror-Review-A-Year-In-The-Country Day #37/365: Folk Horror Review and a wander through a green and not always pleasant land
250-Image-K-A-Year-In-The-Country-575x190 Day #38/365: Image K
250-She-Rocola-Burn-The-Witch-Zoe-Lloyd-A-Year-In-The-Country Day #39/365: Burn The Witch by Ms She Rocola, a stately repose amongst the corn rigs and Victorian light catching
Layout 1 Day #40/365: Electric Eden Ether Reprise… from the wild woods to broadcasts from the pylons…
250-Image-L-A-Year-In-The-Country-575x160 Day #41/365: Image L
250-Artifact-6-reduced-size-A-Year-In-The-Country-bw-413x575 Day #42/365: Artifact #6/52: We’re Lost: The First Second At The End Of Times print released
250-Heretics-Folk-Club-A-Year-In-The-Country Day #43/365: Heretics Folk Club and resulting pathways / returns…
250-Katie-Jane-Garside-Ruby-Throat-A-Year-In-The-Country-1 Day #44/365: Katie Jane Garside, Ruby Throat and delicate artifacts
250-Image-M-A-Year-In-The-Country-575x190 Day #45/365: Image M
250-The-Changes-1975-BBC-A-Year-In-The-Country-8 Day #46/365: Threads, The Changes, the bad wires and the ghosts of transmissions
250-Image-N-A-Year-In-The-Country-575x190 Day #47/365: Image N
250-Sky-1975-TV-British-television-series-A-Year-In-The-Country-412x575 Day #48/365: Sky: a selection of artifacts from a library of a boy who fell to earth…
250-Artifact-7-A-Year-In-The-Country-vellum-giclee-pigment-ink-print Day #49/365: Artifact #7/52 released – Monitoring The Transmissions vellum print
250-Lutine-music-2-A-Year-In-The-Country Day #50/365: Lutine – music for the mind to wander with…
250-General-orders-no-9-a-year-in-the-country Day #51/365: General Orders No. 9… wandering from the arborea of Albion to…
250-The-Advisory-Circle-Jon-Brooks-Ghost-Box-Records Day #52/365: The Advisory Circle and ornithological intrigueries…
250-Image-N-A-Year-In-The-Country1-575x190 Day #53/55: Image O
250-Image-O-A-Year-In-The-Country-575x190 Day #54/55: Image P
250-Scoopit-hauntology-1b-341x575 Day #55/365: Curated spectres and tumbling down hauntological hills
250-A-Year-In-The-Country-Artifact-852-Cover-575x217 Day #56/365: Artifact #8/52 released: Phantasms ribbon bound, layered image transparent book
250-David-Chatton-Barker-Folklore-Tapes-A-Year-In-The-Country-2 Day #57/365: A bakers dozen of Mr David Chatton Barker
250-Sharron-Kraus-Pilgrim-Chants-Pastoral-Trails-Second-Language-Music-A-Year-In-The-Country Day #58/365: Lullabies for the land and a pastoral magicbox by Ms Sharron Kraus
Ghost-Box-Records-Julian-House-See-They-Await-Us-A-Year-In-The-Country-250 Day #59/365: Signals and signposts from and via Mr Julian House
250-Image-Q-A-Year-In-The-Country-575x190 Day #60/365: Image Q
250-Image-Q-A-Year-In-The-Contry-575x190Day #61/365: Image R
250-Two-Years-At-Sea-Ben-Rivers-A-Year-In-The-Country Day #62/365: Two Years At Sea
250-Artifact-9-52-Atavisistic-Memories-575x218 Day #63/365: Artifact #9/52 – Atavistic Memories Print
250-Belbury-Poly-Belbury-Tales-Rob-Young-Julian-House-Ghost-Box-Records-A-Year-In-The-Country-3 Day #64/365: Belbury Poly’s Geography Of Peace
250-The-Belbury-Parish-Magazine-Ghost-Box-Records-Jim-Jupp-A-Year-In-The-CountryDay #65/365: Mr Jim Jupp’s parish circular
250-Mummers-Maypoles-and-Milkmaids-Sarah-Hannant-A-Year-In-The-Country-1 Day #66/365: Sarah Hannants wander through the English ritual year
250-Image-P-A-Year-In-The-Country1-575x190 Day #67/365: Image S
image-t-a-year-in-the-country-b Day #68/365: Image T
250-Charles-Freger-Wilder-Mann-Dewi-Lewis-Publishing-A-Year-In-The-Country1 Day #69/365: Charles Frégers Wilder Mann and rituals away from the shores of albion
Artifact-10-The-Lore-Of-The-Land-print-A-Year-In-The-Country-250 Day #70/365: Artifact #10/52 released: The Lore And Losses Of The Land print
250-Kate-Bush-Under-The-Ivy-Running-Up-That-Hill-vinyl-A-Year-In-The-Country Day #71/365: Kate Bush, Under The Ivy and secret gardens…
250-Joanna-Newsom-2-Arthur-Magazine-A-Year-In-The-Country Day #72/365: Arthur magazine and the brief flickering of freak folk
250-A-Field-In-England-soundtrack-poster-A-Year-In-The-Country-575x383 Day #73/365: A wander through A Field In England with Twins of Evil and other travelling companions…
image-u-a-year-in-the-countryDay #74/365: Image U
250-Image-V-A-Year-In-The-Country-575x191Day #75/365: Image V
250-Josh-Kemp-Smith-Illuminating-Forgotten-Heritage-A-Year-In-The-Country-2-575x383 Day #76/365: Josh Kemp Smith – Illuminating Forgotten Heritage
250-Artifact-11-5-A-Year-In-The-Country-575x270 Day #77/365: Artifact #11/52 released: They Come Unbidden string bound book (Sapling Edition)
250-Winstanley-1975-Kevin-Brownlow-Andrew-Mollo-A-Year-In-The-Country-2-poster Day #78/365: Winstanley – Another Field In England
250-Paper-Dollhouse-A-Box-Painted-Black-Bird-Finders-Keepers-Records-A-Year-In-The-Country Day #79/365: Paper Dollhouse – A Box Painted Black and songs which quietly nest in the mind…
250-BFI-Sight-Sound-The-Films-Of-Old-Weird-England-Rob-Young-William-Fowler-A-Year-In-The-Country-3 Day #80/365: The Films Of Old Weird Britain… celluloid flickerings from an otherly Albion…
250-Image-W-Mind-How-You-Go-A-Year-In-The-Country-575x191 Day #81/365: Image W – Mind How You Go
250-Image-X-A-Year-In-The-Country-575x190 Day #82/365: Image X
250-Image-Y-Hello-Earth-A-Year-In-The-Country-575x190 Day #83/365: Image Y – Hello Earth (A Midnight Dawn)
250-Artifact-12-Image-of-Print-A-Year-In-The-Country-575x218 Day #84/365: Artifact #12/52 released: We Have Summoned Them And Now The Time Is Upon Us print
250-Weirdlore-Folk-Police-Records-Jeanette-Leach-Ian-Anderson-fRoots-Sproatly-Smith-A-Year-In-The-Country-3-575x437 Day #85/365: Weirdlore: Notes From The Folk Underground and legendary lost focal points…
250-Novemthree-tshirt-design-A-Year-In-The-Country Day #86/365: novemthree-Scythe to the Grass and gentle pastoral melancholia that wanders under the skin…
250-Corn-Husk-Crafts-Facklam-Phibbs-A-Year-In-The-Country-1 Day #87/365: Faded foundlings and Tender Vessels…
250-No-Blade-Of-Grass-1-A-Year-In-The-Country-575x237 Day #88/365: No Blade Of Grass and a curious mini-genre…
250-Image-Z-A-Year-In-The-Country-575x190 Day #89/365: Image Z
250-The-Wicker-Man-Collage-A-Year-In-The-Country-1080Day #90/365: The Wickerman – the future lost vessels and artifacts of modern folklore
250-Artifact-13-Front-cover-A-Year-In-The-Country-575x326 Day #91/365: Artifact #13/52: Mind How You Go ribbon bound canvas book released
250-Sproatly-Smith-Minstrels-Grave-Folk-Police-Recordings-Reverb-Worship-A-Year-In-The-Country-3-575x467 Day #92/365: Sproatly Smith – The Minstrel’s Grave and visions of a land rolling away just out of sight of the mind’s eye…
250-Jeanette-Leech-Seasons-They-Change-The-Story-of-Acid-and-Psychedelic-Folk-A-Year-In-The-Country-505x575 Day #93/365: Seasons They Change and the sweetly strange concoctions of private pressings…
250-found0bjects-blog-logo-A-Year-In-The-Country-575x184 Day #94/365: Found0bjects: The ghosts of transmission installations and remanants of a secret past
250-Image-B2-A-Year-In-The-Country-575x203 Day #95/365: Image A/2: Something Wicked This Way Comes
250-Image-A2-A-Year-In-The-Country-575x190 Day #96/365: Image B/2: And Lo The Gateway Was Opened
250-Magpahi-EP-Alison-Cooper-Finders-Keepers-Records-A-Year-In-The-Country Day #97/365: Ms A. Cooper, Natural/Supernatural Lancashire and the various nestings of Magpahi…
250-The-Gateway-A-Year-In-The-Country-575x229 Day #98/365: Artifact #14/52 released: The Gateway print
250-Leyland-Kirby-Sadly-The-Future-Is-Nolonger-What-It-Was-A-Year-In-The-Country-2 Day #99/365: 14 tracks – “Hauntology: A peculiar sonic fiction”
250-Delia-Derbyshire-Day-2014-Delia-Darlings-A-Year-In-The-Country-1-406x575 Day #100/365: Ms Delia Derbyshire and a day of audiological remembrance and salute
250-Gently-Johnny-Sproatly-Smith-The-Woodbine-Ivy-Band-Static-Caravan-The-Wicker-Man-Magnet-A-Year-In-The-Country Day #101/365: Gently Johnny, Sproatly Smith, The Woodbine & Ivy band and lilting intentions…
250-Image-C2-A-Year-In-The-Country-575x190 Day #102/365: Image C/2
250-Image-D2-Once-Dark-Now-Stilled-A-Year-In-The-Country-575x190 Day #103/365: Image D/2: Once Dark, Now Stilled
250-Anthromorphic-Leporids-via-Becky-Wells-on-Pinterest-rabbits-bunnies-folklore-A-Year-In-The-Country-4 Day #104/365: Anthromorphic Leporids; a wander down some otherly rabbit holes and the fantastic visions of childhood tales
250-Artifact-15-all-prints-with-envelope-A-Year-In-The-Country-575x549 Day #105/365: Artifact #15/52 released: Nature’s Calligraphy 12 x Giclée card/print set
250-Innocents-O-Willow-Waly-George-Auric-Isla-Cameron-Finders-Keepers-7-inch-vinyl-Finders-Kreepers-A-Year-In-The-Country-575x246 Day #106/365: The whisperings of Willow O Waly
250-Acid-Tracks-An-Introduction-to-the-roots-of-psych-folk-compiled-by-The-Owl-Service-Rif-Mountain-A-Year-In-The-Country Day #107/365: Archie Fisher & Acid Tracks – An Introduction to the roots of psych-folk: subculture not from beneath the paving stones but from under the plough
250-Experiment-IV-Kate-Bush-A-Year-In-The-Country-354x575Day #108/365: Let me grab your soul away – Kate Bush and darkly cinematic flickerings through the meadows, moors and mazes…
250-Image-E2-A-Year-In-The-Country-575x190 Day #109/365: Image E/2
250-Image-F2-A-Year-In-The-Country-575x190 Day #110/365: Image F/2
250-A-Field-Trip-England-Folkways-Records-Jean-Ritchie-and-Georg-Pickow-A-Year-In-The-Country-575x300Day #111/365: Ms Jean Ritchie’s Field Trip-England and recordings from the end of an era…
250-Artifact-16-Print-A-Year-In-The-Country-575x417 Day #112/365: Artifact #16/52 released: Intricacies and Intrigueries A2 print
250-The-Wicker-Man-Blood-On-Satans-Claw-Whistle-and-Ill-come-to-you-Village-Of-The-Damned-BFI-10-Great-Rural-Horror-films-A-Year-In-The-Country-575x192 Day #113/365: A box of rural horror films and glances at unlit landscapes…
250-Richard-Ross-Waiting-For-The-End-Of-The-World-A-Year-In-The-Country-3-473x575 Day #114/365: Waiting For The End Of The World and havens beneath our feet
250-Edward-Chell-Soft-Estate-Bluecoat-Cornerhouse-A-Year-In-The-Country-7 Day #115/365: Edward Chell’s Soft Estates – documents of autobahn edgelands
250-Image-G2-A-Year-In-The-Country-Hello-Earth-2 Day #116/365: Image G/2: Hello Earth (#2)
250-Image-H2-A-Year-In-The-Country-575x190 Day #117/365: Image H/2: The Departure Before The Storm
250-Virgina-Astley-From-Gardens-Where-We-Feel-Secure-vinyl-Rough-Trade-A-Year-In-The-Country-4 Day #118/365: Virginia Astley’s From Gardens Where We Feel Secure
250-Triptych-print-set-A-Year-In-The-Country-prints-479x575Day #119/365: Artifact #17/52 released: Monitoring The Transmissions triptych print set
250-Plinth-Wintersongs-Michael-Tanner-Kit-Records-Rusted-Rail-A-Year-In-The-Country-1 Day #120/365: Plinth’s Wintersongs; a sometime walking companion for other landscape travellers
250-Skeletons-2010-Nick-Whitfield-British-film-A-Year-In-The-Country-4 Day #121/365: Skeletons; a world, time and place of it’s own imagining
250-The-Owl-Service-Wake-The-Vaulted-Echo-Hobby-Horse-Fine-Horseman-A-Year-In-The-Country Day #122/365: A trio or more of Fine Horsemen via Modern Folk Is Rubbish and through to patterns layered under patterns…
250-Image-I2-A-Year-In-The-Country-575x191 Day #123/365: Image I/2; Monitoring The Transmissions (#2)
250-Image-J2-A-Year-In-The-Country-575x190 Day #124/365: Image J/2
250-Seasons-David-Cain-Jonny-Trunk-BBC-A-Year-In-The-Country-565x575 Day #125/365: Journeying through The Seasons with David Cain (or maybe just July and October)
250-Artifact-18-four-fabric-badges-A-Year-In-The-Country-575x570 Day #126/365: Artifact #18/52: Mind How You Go fabric badge set
250-Robin-Redbreast-A-Year-In-The-Country-BFI-DVD-1970-2-575x431 Day #127/365: Robin Redbreast…
250-English-Folk-Songs-Audrey-Copard-Folkways-Records-Scarborough-Fair-A-Year-In-The-Country-575x568 Day #128/365: Audrey Copard – English Folk Songs and dew on the corn…
250-Image-K2-The-Gateway-Secondary-Phase-A-Year-In-The-Country-575x203 Day #129/365: Image K/2; The Gateway (Secondary Phase)
250-Image-L2-Atavistic-Memories-575x176 Day #130/365: Image L/2; Atavistic Memories
250-John-Benjamin-Stone-A-Record-of-England-folk-customs-and-traditions-A-Year-In-The-Country-4 Day #131/365: John Benjamin Stone; records of folkloric rituals, traditions and light catching from other eras…
250-Espers-II-Greg-Weeks-Drag-City-A-Year-In-The-Country-5 Day #132/365: Espers, coruscation and the demise of monarchs…
250-Artifact-19-Monitoring-The-Transmissions-fabric-badge-pack-four-badges-A-Year-In-The-Country-575x564 Day #133/365: Artifact #19/52 released; Monitoring The Transmissions fabric badge set
250-Luc-Tuymans-Valley-2007-Rouges-Foam-A-Year-In-The-Country Day #134/365: Rouge’s Foam – Hauntology: The Past Inside The Present and an awareness that the ghosts will always win
250-Kill-List-Ben-Wheatley-A-Year-In-The-Country-4-575x379 Day #135/365: Kill List
250-The-Owl-Service-TV-series-titles-Alan-Garner-A-Year-In-The-Country-575x438 Day #136/365: Mr Ben Wheatley wanders amongst a curious number of subjects which may be familiar to visitors of these fields…
250-Image-M2-A-Year-In-The-Country-575x190 Day #137/365: Image M/2
250-Image-N2-A-Year-In-The-Country-575x191Day #138/365: Image N/2
250-Sharron-Kraus-Heretics-Folk-Club-A-Year-In-The-Country-2-1200-575x406 Day #139/365: Sharron Kraus, the less well trodden paths of Heretics Folk Club and unfurling sails…
250-Artifact-20-stickers-and-insert-A-Year-In-The-Country-575x301 Day #140/365: Artifact #20/52; Arborea #1 waterproof sticker set
250-Ladies-From-The-Canyon-Wayfaring-Strangers-Jennie-Pearl-Maybe-In-Another-Year-A-Year-In-The-Country-2-570x575Day #141/365: Jennie Pearl, the pearl of Peoria, Maybe In Another Year and lost ladies of folk
250-Howlround-Robin-The-Fog-the-ghosts-of-bush-A-Year-In-The-Country-575x549 Day #142/365: Fog Signals/Ghost signals from lost transmission centres
250-MisinforMation-Mordant-Music-Central-Office-Of-Information-BFI-DVD-cover-A-Year-In-The-Country-520x575 Day #143/365: Central Office Of Information + Mordant Music = MisinforMation
250-Image-O2-A-Year-In-The-Country2-575x190Day #144/365: Image O/2
250-Image-P2-A-Year-In-The-Country-575x190 Day #145/365: Image P/2
250-Hollyoaks-Savage-Party-folklore-A-Year-In-The-Country-4-575x323Day #146/365: Glimpses of Albion in the overgrowth
250-Artifact-21-stickers-and-front-of-insert-A-Year-In-The-Country-575x399 Day #147/365: Artifact #21/52; Arborea #2 waterproof sticker pack
250-Folk-Archive-Jeremy-Deller-Alan-Kane-A-Year-In-The-Country-41-575x424 Day #148/365: Folk Archive
250-Phase-IV-Saul-Bellow-A-Year-In-The-Country-575x322 Day #149/365: Phase IV – lost celluloid flickering (return to), through to Beyond The Black Rainbow and journeys Under The Skin
250-Kiss-Of-The-Damned-poster-Xan-Casavetes-Jane-Weaver-Demdike-Stare-A-Year-In-The-Country Day #150/365: Parade Of Blood Red Sorrows
250-Image-O2-A-Year-In-The-Country1-575x190 Day #151/365: Image Q/2
250-Image-P2-A-Year-In-The-Country1-575x190Day #152/365: Image R/2; Arrival
250-Berberian-Sound-Studio-Peter-Strickland-Julian-House-Ghost-Box-Records-Broadcast-A-Year-In-The-Country-3-575x387 Day #153/365: Stepping through into… Berberian Sound Studio
250-Fridge-magnet-etc-set-in-packaging-A-Year-In-The-Country-504x575Day #154/365: Artifact #22; Portals and Pathways #2 badge, fridge magnet, keyring & makeup mirror set
250-Hand-of-Stabs-A-Year-In-The-Country-4-575x384Day #155/365: Hand of Stabs… delving amongst the soil and roots for the hidden stories of the land…
250-Lancashire-Folklore-Tapes-Vol-1-Drcarlsonalbion-And-The-Hackney-Lass-Thee-Betrothal-of-Alizon-Device-A-Year-In-The-Country-2 Day #156/365: Drcarlsonalbion; taking the tropes and traditions of folklore to modern climes…
250-Tim-Hart-and-Maddy-Prior-Folk-Songs-of-Olde-England-A-Year-In-The-Country-4-575x340Day #157/365: The Dalesman’s Litany; a yearning for imaginative idylls and a counterpart to tales of hellish mills
250-Image-S2-A-Year-In-The-Country-575x190Day #158/365: Image S/2; Monitoring The Transmissions (#2) – The Shadows And Vestiges After The Fall
250Image-T2-A-Year-In-The-Country-575x190 Day #159/365: Image T/2
250-Karl-Hyde-Kieran-Evans-Edgeland-Outer-Edges-A-Year-In-The-Country-lighter-575x396Day #160/365: Edgelands Report Documents; Cases #1a (return), #2a-5a.
250-Artifact-23-Front-of-pack-A-Year-In-The-Country-510x575Day #161/365: Artifact #23/52 released: Arborea #2 (Day/Night Version) 12 x badge set
250-The-Advisory-Circle-A-Year-In-The-Country Day #162/365: Hauntology, places where society goes to dream, the deletion of spectres and the making of an ungenre
250-Mark-Fisher-Ghosts-Of-My-Life-Zero-Books-hauntology-A-Year-In-The-Country-442x575 Day #163/365: Mark Fisher’s Ghosts Of My Life and a very particular mourning and melancholia for a future’s past…
250-Bagpuss-Small-Films-Oliver-Postgate-BBC-Rob-Young-Electric-Eden-book-A-Year-In-The-CountryDay #164/365: A saggy old cloth cat and curious cultural connections…
250-Image-U2-A-Year-In-The-Country-575x191 Day #165/365: Image U/2; Phantasms
250-Image-V2-A-Year-In-The-Country-575x192 Day #166/365: Image V/2; The Final Pastures
250-Supernatural-Lancashire-2-Finders-Keepers-Records-Samandtheplants-Sam-Mcloughlin-Magpahi-Alison-Cooper-A-Year-In-The-Country copy-1200 Day #167/365: Wandering back through the darkening fields and flickerings to imaginary soundtracks…
250-Artifact-24-box-and-contents-A-Year-In-The-CountryDay #168/365: Artifact #24/52 released; A Box Of Pastoral Ephemera
250-Claypipe-Music-Frances-Castle-A-Year-In-The-Country-553x575Day #169/365: On your marks… the return and reprise of the corporeality of vibrations in the air… and a bakers dozen of Clay Pipe Music
250-The Owl Service-The A Lords-Rif Mountain-Adam Leonard-Folk Police Recordings-Dom Cooper-A Year In The CountryDay #170/365: Who’s afear’d: Dom Cooper & reinterpreting signs, signals and traditions…
Image-W2-250-He-Places-His-Mark-Upon-The-Land-A-Year-In-The-CountryDay #171/365: Image W/2; He Places His Mark Upon The Land
Image-X-250-A-Year-In-The-CountryDay #172/365: Image X/2
250-The-Village-Of-The-Damned-A-Year-In-The-Country-Midwich-Cuckoos-John-Wyndham-film-adapation-4Day #173/365: “Douglas I’m scared”; celluloid cuckoos and the village as anything but idyll…
250-Strawberry-Fields-2012-A-Year-In-The-CountryDay #174/365: Strawberry Fields & Wreckers; the hinterland/village as edgeland
250-Artifact-25-print-A-Year-In-The-Country-2Day #175/365: Artifact #25/52 released; Hello Earth (#2) archival print
250-John-Wyndham-The-Day-Of-The-Triffids-book-Midwich cuckoos-cover-A-Year-In-The-Country-1200jpgDay #176/365: The changing shadows of the fictions of John Wyndham…
250-Zardoz-1973-John-Boorman-A-Year-In-The-Country-2-1Day #177/365: Zardoz… in this secret room from the past, I seek the future…
250-Shindig-Magazine-Broadcast-Julian-House-A-Year-In-The-CountryDay #178/365: The cuckoo in the nest: sitting down with a cup of cha, a slice of toast, Broadcast, Emerald Web, Ghost Box Records and other fellow Shindig travellers…
250-Image-Y2-A-Year-In-The-CountryDay #179/365: Image Y/2; Childhood Dreams Of The Viker March
250-Image-Z2-A-Year-In-The-CountryDay #180/365: Image Z/2; Arboreal Analogues #1
250-Queens-of-Evil-1970-Le-Regine-A-Year-In-The-Country-8Day #181/365: Queens Of Evil; “What sort of conjurers are you?” – “Persuaders, your eminence, hidden persuaders.”
Artifact 26-250-archival print-A Year In The CountryDay #182/365: Artifact #26/52 released; The Reaping Amongst The Stones archival print
The-Owl-Service-250-TV-program-A-Year-In-The-Country-3Day #183/365: Steam engine time and remnants of transmissions before the flood
Barbara-Steele-250-Curse-Of-The-Crimson-Altar-A-Year-In-The-Country-19-1Day #184/365: The Majesty of Ms Steele and films within films…
Angus-Macphee-250-A-Year-In-The-Country-4Day #185/365: The silent weavings of Angus McPhee
Image-A3-250-A-Year-In-The-Country-1Day #186/365: Image A/3
Image-B3-250-A-Year-In-The-Country-1Day #187/365: Image B/3
The-Ash-Tree-250-David-Rudkin-MR-James-A-Ghost-Story-For-Christmas-The-BBC-A-Year-In-The-Country-2Day #188/365: The Ash Tree; Sacred Disobedience, an unorthodox guidance and further fields In England
Artifact-27-250-The-Marks-On-The-Land-badge-set-front-of-badge-set-A-Year-In-The-Country-copy-1Day #189/365: Artifact #27/52; The Marks Upon The Land pin badge set
Acts-of-Inclosure-250-map-A-Year-In-The-Country-1Day #190/365: Electric Eden Ether Reprise (#2): Acts Of Enclosure, the utopian impulse and why folk music and culture?
Pendas-Fen-250-David-Rudkin-A-Year-In-The-Country-1Day #191/365: Penda’s Fen; “Cherish our flame, our dawn will come.”
Grey-Frequency-250-dark-ambient-A-Year-In-The-Country-5 Day #192/365: When Do We Dream? Cold Geometries and Grey Frequencies
Image-C3-250-A-Year-In-The-CountryDay #193/365: Image C/3
Image-D3-250-A-Year-In-The-CountryDay #194/365: Image D/3
World-On-A-Wire-250-1973-poster-A-Year-In-The-Country-1Day #195/365: World On A Wire; a curiously prescient Simulacron
Artifact-28-250-A-Pastoral-Tinderbox-front-view-A-Year-In-The-Country-575x512Day #196/365: Artifact #28/52 released; A Pastoral Tinderbox
Quatermass-1979-250-The-Conclusion-Nigel-Kneale-poster-A-Year-In-The-Country-1Day #197/365: Huff-ity puff-ity ringstone round; Quatermass and the finalities of lovely lightning
Earth-Hex-250-or-printing-in-the-infernal-method-A-Year-In-The-Country-1Day #198/365: Wandering from the arborea of Albion (#2) and fever dreams of the land…

Moon-Wiring-Club-250-A-Year-In-The-Country-1Day #199/365: The ether ephemera of Mr Ian Hodgson and wandering from village green preservation to confusing English electronic music…

Day #200/365: Image E/3Image-E3-250-A-Year-In-The-Country
Image-F3-250-A-Year-In-The-Country Day #201/365: Image F/3; Angelic Descent (The Cities Are On Fire #2)
Filming-The-Owl-Service-250-Alan-Garner-Peter-Plummer-A-Year-In-The-Country-8Day #202/365: Filming The Owl Service; Tomato Soap and Lonely Stones
Artifact-29-250-print-A-Year-In-The-CountryDay #203/365: Artifact #29/52; The Arrival (#2) archival print
The-Moon-And-The-Sledgehammer-250-A-Year-In-The-Country-11Day #204/365: The Moon And The Sledgehammer in amongst the fields of the ether for less than a bakers dozen of teacakes…
The-Wire-Ghost-Box-250-Invisible-Jukebox-Rob-Young-A-Year-In-The-CountryDay #205/365: The interfaces between the old ways/cathode rays; twelve spinnings from an (Electric Edenic) Invisible Ghost (Juke)Box
Image-G3-250-A-Year-In-The-CountryDay #206/365: Image G/3
Eccentronic-Research-Council-250-1612-Underture-Maxine-Peake-Andy-Votel-Bird-Records-Jane-Weaver-Finders-Keepers-Records-A-Year-In-The-Country-5Day #207/365: The Eccentronic Research Council: modern day magic on a monthly tariff and the rhyming (and non-rhyming) couplets of non-populist pop
Image-H3-250-A-Year-In-The-CountryDay #208/365: Image H/3
Julian-House-250-Intro-design-Ghost-Box-Records-A-Year-In-The-CountryDay #209/365: Signal and signposts from and via Mr Julian House (#2); the worlds created by an otherly geometry
Artifact-30-250-print-A-Year-In-The-CountryDay #210/365: Artifact #30/52; Dendronic Geometries archival print
The-Owl-Service-250-book-Alan-Garner-Darren-Hopes-Folio-Society-A-Year-In-The-Country-2Day #211/365: Memories of midnight dreams and other nocturnal flightways and pathways
The-Green-Gene-250-The Changes-Noahs Castle-The Omega Factor-Peter-Dickinson-A-Year-In-The-CountryDay #212/365: With but a tap and a swoosh; the loss of loss and paper encapturings of once fleeting televisual flickerings…
A-curious-mini-genre-250-Soylent-Green-Logans-run-make-room-make-room-no-blade-of-grass-phase-iv-zardoz-A-Year-In-The-CountryDay #213/365: Artifacts of a curious mini-genre (and misc.)
Image-I3-250-A-Year-In-The-CountryDay #214/365: Image I/3
Day #215/365: Image J/3Image-J3-250-A-Year-In-The-Country
Old-Joy-250-2006-Kelly-Reichardt-Will-Oldham-Bagby-Hot-Springs-A-Year-In-The-Country-3Day #216/365: Old Joy; “This is a very special place, if you can’t see the little arrows at night you can’t get in.”
Artifact-31-250-print-A-Year-In-The-CountryDay #217/365: Artifact #31/52: Nocturnal Wanderings and Light Catchings #2 archival print
Play-For-Today-250-Red Shift-Alan Garner-BFI-BBC-A-Year-In-The-Country-smallerDay #218/365: A wander around Red Shift, layers of history, the miasma/amber of cultural replications and associated reinterpretations
Image-K3-250-A-Year-In-The-CountryDay #219/365: Image K/3
Day #220/365: Image L/3Image-L3-250-A-Year-In-The-Country
By-Our-Selves-250-Andrew-Kotting-Ian-Sinclair-Toby-Jones-A-Year-In-The-Country-2Day #221/365: A Straw Bear went a-wandering; a once Berberian sound engineer follows past footsteps, other boot filling and less than but two penn’orth worth on a roll of music
Ritual-David-Pinner-Old Crow-Shena Mackay-Finders-Keepers-Records-Bob-Stanley-A-Year-In-The-CountryDay #222/365: “Here be monsters”: a note on ritual – introductions to and discoveries of Summer Isles predecessors via Ritual, Old Crow and the work of an archivist, literary sometimes pop-star
Day #223/365: Image M/3Image-M3-250-A-Year-In-The-Country
Grey-Frequency-250-Immersion-Night-Edition-A-Year-In-The-Country-2-4Day #224/365: Artifact #32/52; Grey Frequency Immersion album – Night/Day editions
Straw-Bear-250-By-Our-Selves-Andrew-Kotting-Iain-Sinclair-Toby-Jones-Alan-Moore-John-Clare-A-Year-In-The-Country-3Day #225/365: A return to the returning footsteps of a Berberian Straw Bear and companions
Forest-Memory-Exhibition-250-Time-The-Deer-Amy-Cutler-Folkore-Tapes-David-Chatton-Barker-Samandthplants-Rob-St-John-A-Year-In-The-CountryDay #226/365: Traces From A Delerium Of Forests…
Image-N3-250-A-Year-In-The-Country-1Day #227/365: Image N/3
Defending-Anglesey-250-Mark-Dalton-1Day #228/365: Studys and documentation of the fading shadows from defences of the realm…
Jan-Kempenaers-250-Spomenik-A-Year-In-The-Country-5-2-1Day #229/365: A Bear’s Ghosts…
newlyborn-250-Dave-Colohan-United-Bible-Studies-Deserted-Village-A-Year-In-The-Country-13Day #230/365: “Beyond the last places, the blanks on the map”; signposts to and from a deserted village
Artifact-33-250-print-A-Year-In-The-CountryDay #231/365: Artifact #33/52 released; Holt Reverence archival print
Image-O3-250-A-Year-In-The-CountryDay #232/365: Image O/3
Image-P3-250-A-Year-In-The-Country-1Day #233/365: Image P/3
Amy-Flurry-250-Nikki-Salk-Paper-Cut-Project-A-Year-In-The-Country-2Day #234/365: Scherenschnitte: nocturnal strigiformes, fields in England & otherly folkloric tales and signifiers via patience and a neatness of hand…
Donald-Fox-Omega-250-From-Above-Death-and-Vanilla-The-Great-Pop-Supplement-A-Year-In-The-Country-collage-higher-contrast-screen-sizeDay #235/365: Omega; a prescient semi-lost celluloid pathway…
The-Owl-Service-250-Alan-Garner-television-series-A-Year-In-The-Country-2Day #236/365: The Owl Service: fashion plates and (another) peek behind the curtain
Your Face Here-Simon Wells-Ali Catterall-The Wicker Man-A Year In The CountryDay #237/365: Your Face Here; peering down into the landfill – a now historical perspective on the stories of The Wicker Man
Hand-of-Stabs-250-Black-Veined-White-Night-Edition-boxset-A-Year-In-The-Country-575x492Day #238/365: Artifact #34/52 released; Hand of Stabs Black-Veined White album – Night/Day editions
1973-Magazine-Hauntology-Chemistry-Set-A-Year-In-The-CountryDay #239/365: The jump cuts of hauntological antecedents…
Image-Q3-250-Over-The-Fields-A-Year-In-The-CountryDay #240/365: Image Q/3; Over The Fields
Image-R3-250-A-Year-In-The-CountryDay #241/365: Image R/3; Nature’s Calligraphy
Anne-Briggs-A-Year-In-The-CountryDay #242/365: The return of old souls; fleeting glances of Anne Briggs
Travelling-For-A-Living-250-Derek-Knight-The-Watersons-A-Year-In-The-Country-8Day #243/365: Travelling For A Living; tea served in the interval at nine o’clock and a return to populous stories and wald tales
Rosy-Parlane-250-Iris-Willow-A-Year-In-The-CountryDay #244/365: Rosy Parlane, Willow
Michael-Tanner-250-Nine-Of-Swords-Night-Edition-box-set-A-Year-In-The-Country-lighterDay #245/365: Artifact #35/52; Michael Tanner – Nine of Swords CD album – Night/Day editions
The-Singing-Loins-250-Steak-and-Gravy-A-Year-In-The-CountryDay #246/365: The Singing Loins – The cuckoos in the nest and thee English “kitchen sink” folk music…
folk_is_not_a_four_letter_word-250-Andy-Votel-Cherry-Red-Delay-68-A-Year-In-The-CountryDay #247/365: Folk Is Not A Four Letter Word and voyages through other playful fancies from behind the once ferrous drapes…
John-Barleycorn-250-Reborn-Rebirth-Dark-Britannica-Cold-Spring-A-Year-In-The-Country-collageDay #248/365: John Barleycorn Reborn: definitions/explorations of a particular otherlyness and wandering off elsewhere via the old stories of source material…
Image S3-250-A Year In The CountryDay #249/365: Image S/3; The Eagles Are Flying
Image T3-A Year In The CountryDay #250/365: Image T/3
Broadcast-250-Tender-Buttons-Warp-Julian-House-Intro-A-Year-In-The-Country-7 Day #251/365: Broadcast; constellators and artifacts
Artifact-36-250-print-A-Year-In-The-CountryDay #252/365: Artifact #36/52; The Arrival (#3) – Woodland Visitations archival print
Rocket-Cottage-250-Steeleye-Span-A-Year-In-The-CountryDay #253/365: One For Sorrow; Helter skelter, hang sorrow, public minded urgings from times when the lights may well go out of an evening and heading towards Rocket Cottage-isms…
Image-U3-250-A-Year-In-The-Country-1Day #254/365: Image U/3
Mondo-Jay-Shaw-250-Beyond-The-Black-Rainbow-A-Year-In-The-Country-1Day #255/365: Beyond The Black Rainbow; Reagan era fever dreams, award winning gardens and a trio of approaches to soundtrack disseminations… let the new age of enlightenment begin…
Image-V3-250-A-Year-In-The-CountryDay #256/365: Image V/3
Lutine-250-Sallow-Tree-Front-and-Follow-2-A-Year-In-The-Country-1Day #257/365: Further coruscations; Lutine, White Flowers and textural voyages…
Image-W3-250-A-Year-In-The-Country-1Day #258/365: Image W/3
Day #259/365: Artwork variations
Howlround-250-The OST Show-Jonny Trunk-The Advisory Circle-Robin The Fog-the-ghosts-of-bush-A Year In The CountryDay #260/365: A return to OST… from teacake time to sacred relics…
Image-X3-250-A-Year-In-The-CountryDay #261/365: Image X/3
Lalleshwari-250-Katie-Jane-Garsdie-A-Year-In-The-Country-4Day #262/365: Katie Jane Garside, Ruby Throat and precious artifacts (a slight return)
page_29-250-halftone-with-quote-Simon-Reynolds-Haunted-Audio-The-Wire-Magazine-Retromania-Ghost-Box-Records-A-Year-In-The-CountryDay #263/365: Spectres vs Retro
Weird Britain In Exile-Jamie Sexton-hauntology-Ghost Box Records-A Year In The CountryDay #264/365: Weird Britain In Exile: A Bakers Dozen of Cuttings and Clippings Concerning Psychic Heterotopias, Collections Writ Large and Imagined Arcane Mirrorings

Artifact-38-250-badge-pack-A-Year-In-The-CountryDay #265/365: Artifact #38/52: Arboreal Signals badge set
Kate-Bush-250-Lionheart-vinyl-A-Year-In-The-CountryDay #266/365: Pardon my brevity but a lionheart(ess) doth call…
Morning-Way-250-Trader-Horne-Judy-Dyble-A-Year-In-The-Country-2Day #267/365: Morning Way. Trader Horne.
Forest-Full-Circle-250-acid folk-psych folk-A Year In The CountryDay #268/365: Forest. Graveyard and wanderings towards darker shores and glades…
Image-Y3-250-A-Year-In-The-CountryDay #269/365: Image Y/3
Image-Z3-250-A-Year-In-The-CountryDay #270/365: Image Z/3
Dark-and-Lonely-Water-250-2-A-Year-In-The-Country-Public Information Films-PIFDay #271/365: The Spirit Of Dark And Lonely Water and a hop and skip to lost municipal paternalisms…
Axel-Hoedt-250-Fasnacht-Once-A-Year-Der-Steidl-German-folklore-A-Year-In-The-Country-2Day #272/365: Axel Hoedt’s folkloric club kid rogues gallery and symbolic expulsions…
She-Rocola-250-Burn-The-Witch-Molly-Leigh-Of-The-Mother-Town-Night-Edition-box-set-A-Year-In-The-CountryDay #273/365: Artifact #39/52; She Rocola Burn The Witch / Molly Leigh Of The Mother town CD released – Night / Day Editions
Randall-Hopkirk-250-collage-A-Year-In-The-CountryDay #274/365: Borrowings from Albion in the overgrowth…
030-Randall-Hopkirk-250-Charlie-Higson-Vic-Reeves-Bob-Mortimer-Emilia-Fox-Tom-Baker-A-Year-In-The-CountryDay #275/365: Borrowings from Albion in the overgrowth (#2)… becometh a fumetti…
Image-Y3-250-A-Year-In-The-CountryDay #276/365: TBADay #275/365: Image A/4
Image-Z3-250-A-Year-In-The-CountryDay #277/365: Image B/4
Psychomania-250-1971-screenshot-A-Year-In-The-CountryDay #278/365: Dybukk’s Dozen of 1973; A Gathering, Conflagration and Surveying…
The-Telegraph-Pole-Appreciation-Society-250-A-Year-In-The-Country-4Day #279/365: The Telegraph Pole Appreciation Society
She-Rocola-250-Burn-The-Witch-Molly-Leigh-Of-The-Mother-Town-The-Arising-Edition-print-and-front-of-CD-A-Year-In-The-CountryDay #280/365: Artifact #40/52; She Rocola Burn The Witch / Molly Leigh Of The Mother Town; The Arising Edition – archival print and 3″ CD released
Image-C3-250-A-Year-In-The-CountryDay #281/365: Image C/4; Otherly Geometries #1
Telegraph-Poles-and-Electric-Pylons-250-A-Year-In-The-Country-3bDay #282/365: Further appreciations of accidental art; Poles and Pylons
Noahs-Castle-250-1979-TV-series-John-Rowe-Townsend-A-Year-In-The-CountryDay #283/365: Noah’s Castle; a slightly overlooked artifact…
Sapphire-and-Steel-250-collage-2-final-scene-ending-A-Year-in-The-Country-575x287Day #284/365: Sapphire and Steel; a haunting by the haunting and a denial of tales of stopping the waves of history…
Image-D3-250-A-Year-In-The-CountryDay #285/365: Image D/4
Nancy-Wallace-250-Old-Stories-Dom-Cooper-A-Year-In-The-CountryDay #286/365: Nancy Wallace; old stories from the hearth and heart
Howlround-250-Torridon-Gate-Robin-The-Fog-Chris-Weaver-A-Year-In-The-Country-all-itemsDay #287/365: Artifact #41/52; Howlround Torridon Gate CD released – Dawn, Day, Dusk & Night Editions
Stone-Tape-Recordings-250-The-Owl-Service-A-Year-In-The-CountryDay #288/365: Stone Tape Recordings; connecting the dots between The Owl Service (in all its forms) and archaic industrial objects in the middle of nowhere
Folk-Police-Recordings-250-logo-A-Year-In-The-CountryDay #289/365: Departed friends… Folk Police Recordings…
Psychomania-250-1973-A-Year-In-The-Country-3Day #290/365: The first three minutes of Psychomania…
Image-E4-250-A-Year-In-The-CountryDay #291/365: Image E/4
Image-F4-250-A-Year-In-The-CountryDay #292/365: Image F/4
Harp-and-a-Monkey-250-Folk-Police-Recordings-A-Year-In-The-Country1Day #293/365: Harp And A Monkey, paper wrapped round chips and an aside of late night charabangs
Day #294/365: Artwork variations
Ghost-Box-Records-250-Julian-House-Summer-Wavelengths-Retrospective-and-QA-Broadcast-Bob-Stanley-A-Year-In-The-CountryDay #295/365: A summation of the tools and techniques of the will o’the wisp of hauntology…
Howlround-250-Torridon-Gate-Robin-The-Fog-Chris-Weaver-Resonance-FM-A-Year-In-The-Country-tape-cutting-loop-spoolDay #296/365: Howlround’s ether handbill… and a hop, skip and jump to curious links between mirror world reflections of our times, the work of previous audiological explorers, certain English gents and printed/bound spectral considerations…
Ghost-Box-Records-250-Mark-Fisher-A-Year-In-The-Country-2Day #297/365: The Department of Psychological Navigation and fragments of fragments of a conversation…
Image-G4-250-Other-Geometries-2-A-Year-In-The-CountryDay #298/365: Image G/4; Otherly Geometries #2
Image-H4-250-A-Year-In-The-CountryDay #299/365: Image H/4
Noahs-Castle-250-television-series-1979-1980-John-Rowe-A-Year-in-The-Country-6Day #300/365: A slightly overlooked artifact #2; Noah’s Castle and spectacular vs participative media
Image-I4-250-A-Year-In-The-CountryDay #301/365: Image I/4
sleep-furiously-250-Gideon-Koppel-Aphex-Twin-A-Year-In-The-CountryDay #302/365: sleep furiously… Views from a slumbering village…
Delia-Derbyshire-250-Delian-Mode-documentary-BBC-Radiophoninc-Workshop-A-Year-In-The-Country-13Day #303/365: Towards Tomorrow; a selection of cuttings from The Delian Mode, sonic maps, the corporation’s cubby holes and the life of an audiological explorer…
She-Rocola-250-Molly-Leigh-Of-The-Mother-Town-Dawn-Edition-A-Year-In-The-Country-Owl-Light-and-Dawn-EditionsDay #304/365: Artifact #43/52; She Rocola Burn The Witch / Molly Leigh Of The Mother Town CDs released – Owl Light / Dawn Editions
Mark-Fisher-250-Ghosts-Of-My-Life-Sapphire-and-SteelDay #305/365: Spectral footnotes from Mr Fisher; critical masses and admixtures
Image-J4-250-A-Year-In-The-CountryDay #306/365: Image J/4
Throbbing-Gristle-250-20-Jazz-Funk-Greats-A-Year-In-The-CountryDay #307/365: A journey from a precipice to a cliff edge, via documents of preparing for the end of the world, a curious commercialism, the tonic/lampoonery of laughter, broken cultural circuits and quiet/quietening niches…
Twalif-X-250-Orphan-Racker-A-Year-In-The-Country-all-editions-with-narrower-borderDay #308/365: Artifact #44/52 released; Twalif X – Racker&Orphan limited CD album. Dusk / Dawn / Day / Night Editions.
Image-K4-250-A-Year-In-The-CountryDay #309/365: Image K/4
Image-L4-250-A-Year-In-The-CountryDay #310/365: Image L/4; Otherly Geometries #3
Fluid-Audio-250-A-Year-In-The-CountryDay #311/365: Precious Artifacts (Other); Fluid Audio and further corporeal encasements of vibrations in the air…
The-Nightmare-Man-250-BBC-1981-TV-series-A-Year-In-The-CountryDay #312/365: The closing of corner shop portals, island nocturnes and a revisiting of transmissions from after the flood
Puffball-250-Nicolas-Roeg-2007-A-Year-In-The-Country-5Day #313/365: The curiousities of Puffball… “Everything has changed, we don’t belong here…”
Tam-Lin-250-1970-opening-sequence-2-A-Year-In-The-Country.jpgDay #314/365: A further slightly overlooked artifact; Tam Lin, a goddess abroad in the land and the end of utopian dreams?
Image-M4-250-Otherly-Geometries-A-Year-In-The-CountryDay #315/365: Image M/4
Image-N4-250-A-Year-In-The-CountryDay #315/365: Image N/4
The-Detectorists-250-BBC-Mackenzie-Crook-Toby-Jones-A-Year-In-The-CountryDay #316/365: The Detectorists; a gentle roaming in search of the troves left by men who can never sing again
Image-N4-250-A-Year-In-The-CountryDay #317/365: Image N/4
Artifact-45-250-Other-Geometries-Insignia-badges-open-box-A-Year-In-The-CountryDay #318/365: Artifact #45/52; Otherly Geometries Insignia box o’badges
July-Skies-250-Where-The-Days-Go-A-Year-In-The-CountryDay #319/365: July Skies, explorative pathways followed via Haunted Woodland and the folly of wandering too far from the path…
CCTV-250-surveillance-cameras-collage-2-A-Year-In-The-CountryDay #320/365: Watching the watchers…
Image-O4-250-A-Year-In-The-CountryDay #321/365: Image O/4
Z.P.G.-250-1972-Oliver-Reed-Geraldine-Chaplin-Diane-Cilento-A-Year-In-The-Country-stillDay #322/365: Z.P.G.; a return to a curious mini-genre, bleak as an acceptable mode / a world of plastic food and simulated merriment…
Image-P4-250-A-Year-In-The-CountryDay #323/365: Image P/4
The-All-New-Electric-Muse-250-The-Story-Of-Folk-Into-Rock-A-Year-In-The-CountryDay #324/365: Who Would Be A Monarch When A Beggar Lives So Well?
Grey-Frequency-250-Dusk-and-Dawn-Editions-front-covers-A-Year-In-The-CountryDay #325/365: Artifact #46/52; Grey Frequency Immersion CD album released – Dusk / Dawn Editions
Harp-In-Heaven-250-Gone-To-Earth-Powell-and-Pressberger-A-Year-In-The-Country-2Day #326/365: Harp In Heaven, curious exoticisms, pathways and flickerings back through the days and years…
Ossian-Brown-250-Haunted-Air-A-Year-In-The-Country-4Day #327/365: A fever dream of Haunted Air…
Vincent-Price-250-Tony-Tenser-Witchfinder-General-on-set-A-Year-In-The-CountryDay #328/365: From flipsides of a coin to The Flipside; tales from behind the scenes of termagant hunting found in the ether airwaves after a walk through green and not always pleasant lands…
Air-raid-sirens-250-A-Year-In-The-Country-3bDay #329/365: A dybukk’s dozen of forgotten banshees…
Resistance-2011-250-film-Owen-Sheers-A-Year-In-The-Country-4Day #330/365: Resistance and the tenuousness of bonds…
Hand-of-Stabs-250-Black-Veined-White-Dusk-and-Dawn-Editions-A-Year-In-The-CountryDay #331/365: Artifact #47/52; Hand of Stabs Black-Veined White CD album released – Dusk / Dawn Editions
Image-R4-250-A-Year-In-The-CountryDay #332/365: Image Q/4; Folk-horror tropes and visitations #1
Water-Of-Life-250-Rob-St-John-Tommy-Perman-A-Year-In-The-Country-lighterDay #333/365: An aqueous running through your fingers…
Image-S4-250-A-Year-In-The-CountryDay #334/365: Image S/4; Folk-horror tropes and visitations #2
Folk-Art-250-A-Year-In-The-Country-2Day #335/365: Folk art – a wandering from these shores to other shores and back again…
Atom-Eye-250-Otolith-Sessions-A-Year-In-The-Country-4-reel-to-reel-tapeDay #336/365: Atom Eye – The Otolith Sessions and a wandering towards imagined villages…
Mark-Vernon-250-Meagre-Resource-Derby-Tape-Club-Delia-Derbyshire-A-Year-In-The-Country-2bDay #337/365: Tapes – lost and found (numbers 1-267 and other fortuitous finds)
Michael-Tanner-250-Nine-Of-Swords-front-of-Dusk-and-Dawn-Editions-A-Year-In-The-CountryDay #338/365: Artifact #48/52; Michael Tanner Nine of Swords limited edition CD released – Dusk / Dawn Editions
Image-T4-250-A-Year-In-The-CountryDay #339/365: Image S/4; Folk-horror tropes and visitations #3
image-t4-2-a-year-in-the-countryDay #340/365: Image T/4; Folk-horror tropes and (re)visitations #4
Forgotten-banshees-250-6-A-Year-In-The-CountryDay #341/365: All Clear and the (non)cry of forgotten banshees; totems of memory and future lost focal points…
United-States-of-America-250-band-3-A-Year-In-The-CountryDay #342/365: A garden of (un)earthly delights and a wardrobe of fineries…
Radiophonic_Workshop_250-Tape_Machine_Science_Museum-A-Year-In-The-CountryDay #343/365: Veils and Mirrors – forebearing, chanellings, rendings, listing of names…
Day #344/365: Artwork variations
Curse-Of-The-Crimson-Altar-250-photonovel-A-Year-In-The-Country-3Day #345/365: Photo romans and a lightness of touch
Grey-Frequency-250-Immersion-A-Year-In-The-CountryDay #346/365: Audiological Reflections and Pathways #1; a library of loss
Image-U4-250-A-Year-In-The-Country1Day #347/365: Image U/4
Image-V4-250-A-Year-In-The-CountryDay #348/365: Image V/4
 Hand-of-Stabs-250-Black-Veined-White-inner-pageDay #349/365: Audiological Reflections and Pathways #2; the semi-random placing of England’s hidden reverse…
Michael-Tanner-250-Nine-of-Swords-inner-page-2-A-Year-In-The-CountryDay #350/365: Audiological Reflections and Pathways #3; A balm to contemporary intensity of input…
Artifact-50-250-Greenwood-Threshold-archival-print-A-Year-In-The-Country-1Day #351/365: Artifact #50/52; Greenwood Threshold archival print
United-Bible-Studies-250-Doineann-booklet-inner-page-artwork-A-Year-In-The-CountryDay #352/365: Audiological Reflections and Pathways #4; a certain high water mark… travelling from a folk rarity to swinging London to The Owl Service and other pathways via the flickerings of old Albion…
She-Rocola-250-Molly-Leigh-inner-booklet-page-A-Year-In-The-CountryDay #353/365: Audiological Reflections and Pathways #5; an ether gathering of behind the sofa folk flickerings
Image-X4-250-A-Year-In-The-CountryDay #354/365: Image W/4
Image-Y4-250-A-Year-In-The-CountryDay #355/365: Image X/4
Howlround-250-Torridon-Gate-inner-booklet-page-A-Year-In-The-CountryDay #356/365: Audiological Reflections and Pathways #6; fading vessellings
Twalif-X-250-David-Orphan-David-Chatton-Barker-Folklore-Tapes-samandtheplants-Sam-McLoughlin-rackerorphan-A-Year-In-The-CountryDay #357/365: Audiological Reflections and Pathways #7; recording explorations through the land/s…
Artifact-51-250-Archetypal-Ephemera-box-A-Year-In-The-CountryDay #358/365: Artifact #51/52; Archetypal Ephemera box
Right-Wantonly-A-Mumming-250-Sharron-Kraus-A-Year-In-The-Country-1Day #359/365: Right Wantonly A-Mumming
Image-Y4-250-A-Year-In-The-Country1Day #360/365: Image Y/4
Image-Z4-250-A-Year-In-The-CountryDay #361/365: Image Z/4
Grey-Frequency-250-Immersion-one-off-print-A-Year-In-The-Country-6Day #362/365: Signals sent, signals received…
Artemis-81-250-David-Rudkin-A-Year-In-The-CountryDay #363/365: Other pathways
Artifact-52-250-A-Year-In-The-Country-The-Gateway-archival-print1Day #364/365: Artifact #52/52; A Year In The Country: The Gateway archival print
Folk-art-horse-250-a-sentinel-A-Year-In-The-CountryDay #365/365: An English idyll… a midnight sun…

 

Click the links below to peruse the indexes for the different years of A Year In The Country:
Year 1     –      Year 2      –      Year 3      –     Year 4      –      Year 5      –     Year 6      –     Year 7      –     Year 8

 

Index: Year 5

Click the links below to peruse the indexes for the different years of A Year In The Country:

All Years     –      Year 1     –      Year 2      –      Year 3      –     Year 4      –      Year 5      –     Year 6      –     Year 7      –     Year 8

 

The Changes / The Disruption – Notes on a Flipside of the Pastoral Conversation – Part 1: Wanderings 1/52 (And the Start of a New Yearly Cycle)
Grey Frequency’s Immersion: Audio Visual Archive 1/52
The Changes / The Disruption – Notes on a Flipside of the Pastoral Conversation – Part 2: Wanderings 2/52
Hand of Stabs – Black-Veined White: Audio Visual Archive 2/52
Robert Macfarlane, Benjamin Myers, The Eeriness of the English Countryside and Unravelling of Dizzying Mazes: Wanderings 3/52
Michael Tanner’s Nine of Swords: Audio Visual Archive 3/52
When Haro Met Sally, John Hughes, Stranger Things, Twins of Evil, Hauntology and Dark Seed – Parallel World Reimaginings and Phantasms: Wanderings 4/52
The Quietened Village – Preorder and Release Dates
She Rocola’s Burn The Witch / Molly Leigh Of The Mother Town: Audio Visual Archive 4/52
Night of the Comet Part 1 – Shopping and Respect in “Empty Cities” at the End of the World: Wanderings 5/52
Howlround – Torridon Gate: Audio Visual Archive 5/52
Luciana Haill’s Apparitions – A Modern-Day Conjuring of Phantasms and Peering Down the Corridors of Time: Wanderings 6/52
Twalif X – Racker&Orphan: Audio Visual Archive 6/52
Night of the Comet Part 2 – Post-Apocalyptic Positivity in “Empty Cities” at the End of the World: Wanderings 7/52
The Quietened Village – Preorder
A Year In The Country – Airwaves: Songs From The Sentinels: Audio Visual Archive 7/52
The Debatable Lands, Undulating Waters, In The Sunshine We Rode The Horses and Ufology – Audio Undercurrents Part 1: Wanderings 8/52
Fractures: Audio Visual Archive 8/52
The Delaware Road, Mo’Wax, UNKLE, DJ Shadow, Tricky, Portishead, Massive Attack, Boards of Canada, Moon Wiring Club, DJ Food, Belbury Poly, The Memory Band, Grantby, the BBC Radiophonic Workshop and Andrea Parker – Universe Creation and Spectral Lines in the Cultural Landscape: Wanderings 9/52
The Quietened Bunker: Audio Visual Archive 9/52
John Carpenter’s Christine Part 1 – Anthropomorphisation, Magical Realism and Rock’n’Roll Dream Lovers: Wanderings 10/52
A Year In The Country – Spectral Fields – Wyrd Kalendar Mix 3 and the “What is hauntology? And why is it all around us?” BBC Archive Film
No More Unto the Dance: Audio Visual Archive 10/52
The Quietened Village – Released
John Carpenter’s Christine Part 2 – Autonomous Zones, Night Time Edgelands and the Restoration of the Natural Order: Wanderings 11/52
The Forest / The Wald: Audio Visual Archive 11/52
Hot Fuzz aka Rural Weapon Part 1 – Flash and Spectacle Amongst the Bucolia: Wanderings 12/52
The Restless Field: Audio Visual Archive 12/52
Hot Fuzz aka Rural Weapon Part 2 – The Village Gone Rogue: Wanderings 13/52
From The Furthest Signals: Audio Visual Archive 13/52
Reflections on Brutalism Part 1 – This Brutal World and a Study of The Shape of the Futures Past: Wanderings 14/52
Undercurrents – Audio Visual Archive 14/52
Reflections on Brutalism Part 2 – This Brutal World, Industrial Inspirations for Blade Runner, Memories of the Space Age and the Future Takes a Tumble: Wanderings 15/52
The Quietened Cosmologists – Audio Visual Archive 15/52
Reflections on Brutalism Part 3 – J. G. Ballard and Ben Wheatley’s High-Rise and All Mod Con Dystopias: Wanderings 16/52
All The Merry Year Round – Audio Visual Archive 16/52
Reflections on Brutalism Part 4 – A Return to the Experimentations and Aesthetics of This Brutal World and Paul Virilio’s Bunker Archaeology: Wanderings 17/52
The Watchers – Album Preorder and Release Dates
Audio Albion – Audio Visual Archive 17/52
Reflections on Brutalism Part 5 – A Curious Collector’s Piece and a Return to Acts of Enclosure: Wanderings 18/52
The Shildam Hall Tapes – Audio Visual Archive 18/52
Michael Radford’s 1984 Part 1 – The Privations of an Alternative Past, Present and Future, V for Vendetta and the Last Inch: Wanderings 19/52
The Quietened Village – Writing, Broadcasts and Traces of Ghosts
The Quietened Mechanisms – Audio Visual Archive 19/52
Michael Radford’s 1984 Part 2 – Pop Music Controversies and Pastoral Escape/Non-Escape: Wanderings 20/52
The Watchers – Preorder
The Corn Mother – Audio Visual Archive 20/52
Broken Folk, Is it Clearer? and Akiha Den Den – Audio Undercurrents Part 2: Wanderings 21/52
Grey Frequency – Immersion: Audio Visual Archive 21/52
A Midsummer Night’s Happening, Weirdshire and The Delaware Road: Ritual & Resistance – A Spectral Summer is a-Coming in: Wanderings 22/52
Hand of Stabs – Black-Veined White: Audio Visual Archive 22/52
The Fountain in the Forest – Further Explorations of Hidden History, Timeslip, the Ending of Arcadian Idylls and Pulp Fiction Subversion: Wanderings 23/52
No More Unto The Dance: Audio Visual Archive 23/52
The Watchers – Released
Stand By Me – The Undercurrents of an Unsupervised Journey Away from the White Picket Fences: Wanderings 24/52
Michael Tanner – Nine of Swords: Audio Visual Archive 24/52
Brick High-Rise – A Rather Curious Lego Simulacra of Ballardian Transgression: Wanderings 25/52
She Rocola – Burn The Witch / Molly Leigh Of The Mother Town: Audio Visual Archive 25/52
Looker and the Imagined Omnipotence of the 1980s Computer – Part 1: Wanderings 26/52
Howlround – Torridon Gate: Audio Visual Archive 26/52
The Watchers – Reviews, Broadcasts and Journeys amongst The Haunted Generation, The Unquiet Meadow, the Witching Hour and Other Flipside Furrows
Electric Dreams and the Imagined Omnipotence of the 1980s Computer – Part 2: Wanderings 27/52
Echoes And Reverberations – Preorder and Release Dates
Racker & Orphan – Twalif X: Audio Visual Archive 27/52
The Folk Horror Revival: Urban Wyrd Books – Exploring Hidden Narratives from Between the Forgotten Cracks: Wanderings 28/52
A Year In The Country – Airwaves: Songs From The Sentinels: Audio Visual Archive 28/52
Wolfen – Urban Decay, Sidestepping Genre Expectations, Lost Visions and a Brief Visit to The Keep’s Dreamscape: Wanderings 29/52
Fractures: Audio Visual Archive 29/52