Audiological Research and Pathways; Case #6.
Audiological contents: Torridon Gate (23.43 minutes).
Limited to 52 copies.
White/black CDr album in 10 page string bound booklet packaging.
Custom printed and hand-finished by A Year In The Country.
Printed using archival Giclée pigment ink.
“All of the music on this album was created from a single recording of a front garden gate on Torridon Road in Hither Green, London. These sounds were captured using a contact microphone and processed, looped and edited on three reel – to – reel tape machines with all electronic effects or artificial reverb strictly forbidden.”
Day Edition Details:
1) Booklet custom printed using archival Giclée pigment ink.
2) Wrapped in wax sealed, hand stamped black tissue paper.
3) White/black CDr (white on top, black on playable side).
4) Jute string bound 14.4cm x 13.2cm booklet:
a) Hand bone creased cover.
b) 10 pages (5 sides printed);
c) Front and rear covers are printed on 310gsm textured fine art cotton rag paper.
d) Two inner sheets are printed on 245gsm paper.
e) One inner sheet is printed on semi-transparent 110gsm vellum paper.
f) Hand numbered.
5) CDr held in protective fleece-lined sleeve.
Produced by Robin The Fog & Chris Weaver, April – June 2014.
Mastered by James Edward ‘Butterscotch’ Barker.
Presented with gratitude to Tony Alpe and Kathryn Everett.
Artwork by Robin The Fog.
Packaging design by AYITC Ocular Signals Department.
Prices include free UK shipping. Normally ships within 7-14 days.
The library of the A Year In The Country Audiological Research and Pathways also includes:
Case Study #1: Grey Frequency: Immersion
Case Study #2: Hand of Stabs: Black-Veined White
Case Study #3: Michael Tanner: Nine of Swords
Case Study #4: United Bible Studies: Doineann
Case Study #5: She Rocola: Burn The Witch / Molly Leigh Of The Mother Town
Case Study #6: Howlround: Torridon Gate
A Year In The Country: An English idyll, a midnight sun…
“A Year In The Country is a year long journey of and searching for an expression of my underlying unsettledness to the English bucolic countryside dream… and wandering about and through the trails of things that have influenced, inspired and intrigued me along the way, which will quite possibly take in the further flung reaches of folk music, folklore and what has been labelled hauntological culture.”
More information on the project at www.ayearinthecountry.co.uk