Day #1/365: Welcome To A Year In The Country |
Day #2/365: Image A |
Day #3/365: Gather In The Mushrooms: something of a starting point via an accidental stumbling into the British acid folk undeground |
Day #4/365: Electric Eden; a researching, unearthing and drawing of lines between the stories of Britain’s visionary music |
Day #5/365: Artifact #1/52. now available. |
Day #6/365: The Fallen By Watchbird – Jane Weaver Septieme Soeur; the start of a journey through cosmic aquatic folklore, kunstmärche and otherly film fables… |
Day #7/365: Folklore Tapes; the ferrous reels of arcane research projects… |
Day #8/365: Image B |
Day #9/365: Wyrd Britannia Festival |
Day #10/365: The Auteurs – How I Learned To Love The Boot Boys; our most non-hauntological hauntologist… |
Day #11/365: Lal Waterson – Teach Me To Be A Summers Morning |
Day #12: Image C |
Day #13/365. The Wall / Die Wand… a vision from behind the walls of pastoral science fiction… |
Day #14/365. Artifact #2/52 released. |
Day #15/365. The Twilight Language Of Nigel Kneale |
Day #16/365: Image D |
Day #17/365: Image E |
Day #18/365: Willows Songs |
Day #19/365: Once a Year – Homer Sykes |
Day #20/365. Artifact #3/52 released. |
Day #21/365: In The Dark Half |
Day #22/365: Image F |
Day #23/365: Nigel Kneale’s The Stone Tape – a study of future haunted media |
Day #24/365. Dark Peak White Peak by Paul Hill |
Day #25/365. Image G |
Day #26/365. Christopher Priest – A Dream of Wessex and dreams of the twentieth century |
Day #27/365: Image H |
Day #28/365. Artifact #4/52 released |
Day #29/365: Alison Goldfrapp – Performer As Curator and a wander through crumbling textures |
Day #30/365: The Owl Service – A View From A Hill |
Day #31/365: Image I |
Day #32/365: Wyrd Britannia, Folklore Tapes, Magpahi, Tales From The Black Meadow and English Libraries |
Day #33/365: Broadcast and the Focus Group Investigate Witch Cults of the Radio Age and the recalibrations of past cathode ray stories… |
Day #34/365: Image J |
Day #35/365. Artifact #5/52: They Come Unbidden book released |
Day #36/365: Psychedelic Folkloristic and niche corners of the electronic ether |
Day #37/365: Folk Horror Review and a wander through a green and not always pleasant land |
Day #38/365: Image K |
Day #39/365: Burn The Witch by Ms She Rocola, a stately repose amongst the corn rigs and Victorian light catching |
Day #40/365: Electric Eden Ether Reprise… from the wild woods to broadcasts from the pylons… |
Day #41/365: Image L |
Day #42/365: Artifact #6/52: We’re Lost: The First Second At The End Of Times print released |
Day #43/365: Heretics Folk Club and resulting pathways / returns… |
Day #44/365: Katie Jane Garside, Ruby Throat and delicate artifacts |
Day #45/365: Image M |
Day #46/365: Threads, The Changes, the bad wires and the ghosts of transmissions |
Day #47/365: Image N |
Day #48/365: Sky: a selection of artifacts from a library of a boy who fell to earth… |
Day #49/365: Artifact #7/52 released – Monitoring The Transmissions vellum print |
Day #50/365: Lutine – music for the mind to wander with… |
Day #51/365: General Orders No. 9… wandering from the arborea of Albion to… |
Day #52/365: The Advisory Circle and ornithological intrigueries… |
Day #53/55: Image O |
Day #54/55: Image P |
Day #55/365: Curated spectres and tumbling down hauntological hills |
Day #56/365: Artifact #8/52 released: Phantasms ribbon bound, layered image transparent book |
Day #57/365: A bakers dozen of Mr David Chatton Barker |
Day #58/365: Lullabies for the land and a pastoral magicbox by Ms Sharron Kraus |
Day #59/365: Signals and signposts from and via Mr Julian House |
Day #60/365: Image Q |
Day #61/365: Image R |
Day #62/365: Two Years At Sea |
Day #63/365: Artifact #9/52 – Atavistic Memories Print |
Day #64/365: Belbury Poly’s Geography Of Peace |
Day #65/365: Mr Jim Jupp’s parish circular |
Day #66/365: Sarah Hannants wander through the English ritual year |
Day #67/365: Image S |
Day #68/365: Image T |
Day #69/365: Charles Frégers Wilder Mann and rituals away from the shores of albion |
Day #70/365: Artifact #10/52 released: The Lore And Losses Of The Land print |
Day #71/365: Kate Bush, Under The Ivy and secret gardens… |
Day #72/365: Arthur magazine and the brief flickering of freak folk |
Day #73/365: A wander through A Field In England with Twins of Evil and other travelling companions… |
Day #74/365: Image U |
Day #75/365: Image V |
Day #76/365: Josh Kemp Smith – Illuminating Forgotten Heritage |
Day #77/365: Artifact #11/52 released: They Come Unbidden string bound book (Sapling Edition) |
Day #78/365: Winstanley – Another Field In England |
Day #79/365: Paper Dollhouse – A Box Painted Black and songs which quietly nest in the mind… |
Day #80/365: The Films Of Old Weird Britain… celluloid flickerings from an otherly Albion… |
Day #81/365: Image W – Mind How You Go |
Day #82/365: Image X |
Day #83/365: Image Y – Hello Earth (A Midnight Dawn) |
Day #84/365: Artifact #12/52 released: We Have Summoned Them And Now The Time Is Upon Us print |
Day #85/365: Weirdlore: Notes From The Folk Underground and legendary lost focal points… |
Day #86/365: novemthree-Scythe to the Grass and gentle pastoral melancholia that wanders under the skin… |
Day #87/365: Faded foundlings and Tender Vessels… |
Day #88/365: No Blade Of Grass and a curious mini-genre… |
Day #89/365: Image Z |
Day #90/365: The Wickerman – the future lost vessels and artifacts of modern folklore |
Day #91/365: Artifact #13/52: Mind How You Go ribbon bound canvas book released |
Day #92/365: Sproatly Smith – The Minstrel’s Grave and visions of a land rolling away just out of sight of the mind’s eye… |
Day #93/365: Seasons They Change and the sweetly strange concoctions of private pressings… |
Day #94/365: Found0bjects: The ghosts of transmission installations and remanants of a secret past |
Day #95/365: Image A/2: Something Wicked This Way Comes |
Day #96/365: Image B/2: And Lo The Gateway Was Opened |
Day #97/365: Ms A. Cooper, Natural/Supernatural Lancashire and the various nestings of Magpahi… |
Day #98/365: Artifact #14/52 released: The Gateway print |
Day #99/365: 14 tracks – “Hauntology: A peculiar sonic fiction” |
Day #100/365: Ms Delia Derbyshire and a day of audiological remembrance and salute |
Day #101/365: Gently Johnny, Sproatly Smith, The Woodbine & Ivy band and lilting intentions… |
Day #102/365: Image C/2 |
Day #103/365: Image D/2: Once Dark, Now Stilled |
Day #104/365: Anthromorphic Leporids; a wander down some otherly rabbit holes and the fantastic visions of childhood tales |
Day #105/365: Artifact #15/52 released: Nature’s Calligraphy 12 x Giclée card/print set |
Day #106/365: The whisperings of Willow O Waly |
Day #107/365: Archie Fisher & Acid Tracks – An Introduction to the roots of psych-folk: subculture not from beneath the paving stones but from under the plough |
Day #108/365: Let me grab your soul away – Kate Bush and darkly cinematic flickerings through the meadows, moors and mazes… |
Day #109/365: Image E/2 |
Day #110/365: Image F/2 |
Day #111/365: Ms Jean Ritchie’s Field Trip-England and recordings from the end of an era… |
Day #112/365: Artifact #16/52 released: Intricacies and Intrigueries A2 print |
Day #113/365: A box of rural horror films and glances at unlit landscapes… |
Day #114/365: Waiting For The End Of The World and havens beneath our feet |
Day #115/365: Edward Chell’s Soft Estates – documents of autobahn edgelands |
Day #116/365: Image G/2: Hello Earth (#2) |
Day #117/365: Image H/2: The Departure Before The Storm |
Day #118/365: Virginia Astley’s From Gardens Where We Feel Secure |
Day #119/365: Artifact #17/52 released: Monitoring The Transmissions triptych print set |
Day #120/365: Plinth’s Wintersongs; a sometime walking companion for other landscape travellers |
Day #121/365: Skeletons; a world, time and place of it’s own imagining |
Day #122/365: A trio or more of Fine Horsemen via Modern Folk Is Rubbish and through to patterns layered under patterns… |
Day #123/365: Image I/2; Monitoring The Transmissions (#2) |
Day #124/365: Image J/2 |
Day #125/365: Journeying through The Seasons with David Cain (or maybe just July and October) |
Day #126/365: Artifact #18/52: Mind How You Go fabric badge set |
Day #127/365: Robin Redbreast… |
Day #128/365: Audrey Copard – English Folk Songs and dew on the corn… |
Day #129/365: Image K/2; The Gateway (Secondary Phase) |
Day #130/365: Image L/2; Atavistic Memories |
Day #131/365: John Benjamin Stone; records of folkloric rituals, traditions and light catching from other eras… |
Day #132/365: Espers, coruscation and the demise of monarchs… |
Day #133/365: Artifact #19/52 released; Monitoring The Transmissions fabric badge set |
Day #134/365: Rouge’s Foam – Hauntology: The Past Inside The Present and an awareness that the ghosts will always win |
Day #135/365: Kill List |
Day #136/365: Mr Ben Wheatley wanders amongst a curious number of subjects which may be familiar to visitors of these fields… |
Day #137/365: Image M/2 |
Day #138/365: Image N/2 |
Day #139/365: Sharron Kraus, the less well trodden paths of Heretics Folk Club and unfurling sails… |
Day #140/365: Artifact #20/52; Arborea #1 waterproof sticker set |
Day #141/365: Jennie Pearl, the pearl of Peoria, Maybe In Another Year and lost ladies of folk |
Day #142/365: Fog Signals/Ghost signals from lost transmission centres |
Day #143/365: Central Office Of Information + Mordant Music = MisinforMation |
Day #144/365: Image O/2 |
Day #145/365: Image P/2 |
Day #146/365: Glimpses of Albion in the overgrowth |
Day #147/365: Artifact #21/52; Arborea #2 waterproof sticker pack |
Day #148/365: Folk Archive |
Day #149/365: Phase IV – lost celluloid flickering (return to), through to Beyond The Black Rainbow and journeys Under The Skin |
Day #150/365: Parade Of Blood Red Sorrows |
Day #151/365: Image Q/2 |
Day #152/365: Image R/2; Arrival |
Day #153/365: Stepping through into… Berberian Sound Studio |
Day #154/365: Artifact #22; Portals and Pathways #2 badge, fridge magnet, keyring & makeup mirror set |
Day #155/365: Hand of Stabs… delving amongst the soil and roots for the hidden stories of the land… |
Day #156/365: Drcarlsonalbion; taking the tropes and traditions of folklore to modern climes… |
Day #157/365: The Dalesman’s Litany; a yearning for imaginative idylls and a counterpart to tales of hellish mills |
Day #158/365: Image S/2; Monitoring The Transmissions (#2) – The Shadows And Vestiges After The Fall |
Day #159/365: Image T/2 |
Day #160/365: Edgelands Report Documents; Cases #1a (return), #2a-5a. |
Day #161/365: Artifact #23/52 released: Arborea #2 (Day/Night Version) 12 x badge set |
Day #162/365: Hauntology, places where society goes to dream, the deletion of spectres and the making of an ungenre |
Day #163/365: Mark Fisher’s Ghosts Of My Life and a very particular mourning and melancholia for a future’s past… |
Day #164/365: A saggy old cloth cat and curious cultural connections… |
Day #165/365: Image U/2; Phantasms |
Day #166/365: Image V/2; The Final Pastures |
Day #167/365: Wandering back through the darkening fields and flickerings to imaginary soundtracks… |
Day #168/365: Artifact #24/52 released; A Box Of Pastoral Ephemera |
Day #169/365: On your marks… the return and reprise of the corporeality of vibrations in the air… and a bakers dozen of Clay Pipe Music |
Day #170/365: Who’s afear’d: Dom Cooper & reinterpreting signs, signals and traditions… |
Day #171/365: Image W/2; He Places His Mark Upon The Land |
Day #172/365: Image X/2 |
Day #173/365: “Douglas I’m scared”; celluloid cuckoos and the village as anything but idyll…
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Day #174/365: Strawberry Fields & Wreckers; the hinterland/village as edgeland |
Day #175/365: Artifact #25/52 released; Hello Earth (#2) archival print |
Day #176/365: The changing shadows of the fictions of John Wyndham… |
Day #177/365: Zardoz… in this secret room from the past, I seek the future… |
Day #178/365: The cuckoo in the nest: sitting down with a cup of cha, a slice of toast, Broadcast, Emerald Web, Ghost Box Records and other fellow Shindig travellers… |
Day #179/365: Image Y/2; Childhood Dreams Of The Viker March |
Day #180/365: Image Z/2; Arboreal Analogues #1 |
Day #181/365: Queens Of Evil; “What sort of conjurers are you?” – “Persuaders, your eminence, hidden persuaders.” |
Day #182/365: Artifact #26/52 released; The Reaping Amongst The Stones archival print |
Day #183/365: Steam engine time and remnants of transmissions before the flood |
Day #184/365: The Majesty of Ms Steele and films within films… |
Day #185/365: The silent weavings of Angus McPhee |
Day #186/365: Image A/3 |
Day #187/365: Image B/3 |
Day #188/365: The Ash Tree; Sacred Disobedience, an unorthodox guidance and further fields In England |
Day #189/365: Artifact #27/52; The Marks Upon The Land pin badge set |
Day #190/365: Electric Eden Ether Reprise (#2): Acts Of Enclosure, the utopian impulse and why folk music and culture? |
Day #191/365: Penda’s Fen; “Cherish our flame, our dawn will come.” |
Day #192/365: When Do We Dream? Cold Geometries and Grey Frequencies |
Day #193/365: Image C/3 |
Day #194/365: Image D/3 |
Day #195/365: World On A Wire; a curiously prescient Simulacron |
Day #196/365: Artifact #28/52 released; A Pastoral Tinderbox |
Day #197/365: Huff-ity puff-ity ringstone round; Quatermass and the finalities of lovely lightning |
Day #198/365: Wandering from the arborea of Albion (#2) and fever dreams of the land… |
Day #199/365: The ether ephemera of Mr Ian Hodgson and wandering from village green preservation to confusing English electronic music…
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Day #200/365: Image E/3 |
Day #201/365: Image F/3; Angelic Descent (The Cities Are On Fire #2) |
Day #202/365: Filming The Owl Service; Tomato Soap and Lonely Stones |
Day #203/365: Artifact #29/52; The Arrival (#2) archival print |
Day #204/365: The Moon And The Sledgehammer in amongst the fields of the ether for less than a bakers dozen of teacakes… |
Day #205/365: The interfaces between the old ways/cathode rays; twelve spinnings from an (Electric Edenic) Invisible Ghost (Juke)Box |
Day #206/365: Image G/3 |
Day #207/365: The Eccentronic Research Council: modern day magic on a monthly tariff and the rhyming (and non-rhyming) couplets of non-populist pop |
Day #208/365: Image H/3 |
Day #209/365: Signal and signposts from and via Mr Julian House (#2); the worlds created by an otherly geometry |
Day #210/365: Artifact #30/52; Dendronic Geometries archival print |
Day #211/365: Memories of midnight dreams and other nocturnal flightways and pathways |
Day #212/365: With but a tap and a swoosh; the loss of loss and paper encapturings of once fleeting televisual flickerings… |
Day #213/365: Artifacts of a curious mini-genre (and misc.) |
Day #214/365: Image I/3 |
Day #215/365: Image J/3 |
Day #216/365: Old Joy; “This is a very special place, if you can’t see the little arrows at night you can’t get in.” |
Day #217/365: Artifact #31/52: Nocturnal Wanderings and Light Catchings #2 archival print |
Day #218/365: A wander around Red Shift, layers of history, the miasma/amber of cultural replications and associated reinterpretations |
Day #219/365: Image K/3 |
Day #220/365: Image L/3 |
Day #221/365: A Straw Bear went a-wandering; a once Berberian sound engineer follows past footsteps, other boot filling and less than but two penn’orth worth on a roll of music |
Day #222/365: “Here be monsters”: a note on ritual – introductions to and discoveries of Summer Isles predecessors via Ritual, Old Crow and the work of an archivist, literary sometimes pop-star |
Day #223/365: Image M/3 |
Day #224/365: Artifact #32/52; Grey Frequency Immersion album – Night/Day editions |
Day #225/365: A return to the returning footsteps of a Berberian Straw Bear and companions |
Day #226/365: Traces From A Delerium Of Forests… |
Day #227/365: Image N/3 |
Day #228/365: Studys and documentation of the fading shadows from defences of the realm… |
Day #229/365: A Bear’s Ghosts… |
Day #230/365: “Beyond the last places, the blanks on the map”; signposts to and from a deserted village |
Day #231/365: Artifact #33/52 released; Holt Reverence archival print |
Day #232/365: Image O/3 |
Day #233/365: Image P/3 |
Day #234/365: Scherenschnitte: nocturnal strigiformes, fields in England & otherly folkloric tales and signifiers via patience and a neatness of hand… |
Day #235/365: Omega; a prescient semi-lost celluloid pathway… |
Day #236/365: The Owl Service: fashion plates and (another) peek behind the curtain |
Day #237/365: Your Face Here; peering down into the landfill – a now historical perspective on the stories of The Wicker Man |
Day #238/365: Artifact #34/52 released; Hand of Stabs Black-Veined White album – Night/Day editions |
Day #239/365: The jump cuts of hauntological antecedents… |
Day #240/365: Image Q/3; Over The Fields |
Day #241/365: Image R/3; Nature’s Calligraphy |
Day #242/365: The return of old souls; fleeting glances of Anne Briggs |
Day #243/365: Travelling For A Living; tea served in the interval at nine o’clock and a return to populous stories and wald tales |
Day #244/365: Rosy Parlane, Willow |
Day #245/365: Artifact #35/52; Michael Tanner – Nine of Swords CD album – Night/Day editions |
Day #246/365: The Singing Loins – The cuckoos in the nest and thee English “kitchen sink” folk music… |
Day #247/365: Folk Is Not A Four Letter Word and voyages through other playful fancies from behind the once ferrous drapes… |
Day #248/365: John Barleycorn Reborn: definitions/explorations of a particular otherlyness and wandering off elsewhere via the old stories of source material… |
Day #249/365: Image S/3; The Eagles Are Flying |
Day #250/365: Image T/3 |
Day #251/365: Broadcast; constellators and artifacts |
Day #252/365: Artifact #36/52; The Arrival (#3) – Woodland Visitations archival print
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Day #253/365: One For Sorrow; Helter skelter, hang sorrow, public minded urgings from times when the lights may well go out of an evening and heading towards Rocket Cottage-isms…
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Day #254/365: Image U/3
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Day #255/365: Beyond The Black Rainbow; Reagan era fever dreams, award winning gardens and a trio of approaches to soundtrack disseminations… let the new age of enlightenment begin… |
Day #256/365: Image V/3 |
Day #257/365: Further coruscations; Lutine, White Flowers and textural voyages… |
Day #258/365: Image W/3 |
Day #259/365: Artwork variations |
Day #260/365: A return to OST… from teacake time to sacred relics… |
Day #261/365: Image X/3 |
Day #262/365: Katie Jane Garside, Ruby Throat and precious artifacts (a slight return) |
Day #263/365: Spectres vs Retro |
Day #264/365: Weird Britain In Exile: A Bakers Dozen of Cuttings and Clippings Concerning Psychic Heterotopias, Collections Writ Large and Imagined Arcane Mirrorings |
Day #265/365: Artifact #38/52: Arboreal Signals badge set |
Day #266/365: Pardon my brevity but a lionheart(ess) doth call… |
Day #267/365: Morning Way. Trader Horne. |
Day #268/365: Forest. Graveyard and wanderings towards darker shores and glades… |
Day #269/365: Image Y/3 |
Day #270/365: Image Z/3 |
Day #271/365: The Spirit Of Dark And Lonely Water and a hop and skip to lost municipal paternalisms… |
Day #272/365: Axel Hoedt’s folkloric club kid rogues gallery and symbolic expulsions… |
Day #273/365: Artifact #39/52; She Rocola Burn The Witch / Molly Leigh Of The Mother town CD released – Night / Day Editions |
Day #274/365: Borrowings from Albion in the overgrowth… |
Day #275/365: Borrowings from Albion in the overgrowth (#2)… becometh a fumetti… |
Day #276/365: TBADay #275/365: Image A/4 |
Day #277/365: Image B/4 |
Day #278/365: Dybukk’s Dozen of 1973; A Gathering, Conflagration and Surveying… |
Day #279/365: The Telegraph Pole Appreciation Society |
Day #280/365: Artifact #40/52; She Rocola Burn The Witch / Molly Leigh Of The Mother Town; The Arising Edition – archival print and 3″ CD released |
Day #281/365: Image C/4; Otherly Geometries #1 |
Day #282/365: Further appreciations of accidental art; Poles and Pylons |
Day #283/365: Noah’s Castle; a slightly overlooked artifact… |
Day #284/365: Sapphire and Steel; a haunting by the haunting and a denial of tales of stopping the waves of history… |
Day #285/365: Image D/4 |
Day #286/365: Nancy Wallace; old stories from the hearth and heart |
Day #287/365: Artifact #41/52; Howlround Torridon Gate CD released – Dawn, Day, Dusk & Night Editions |
Day #288/365: Stone Tape Recordings; connecting the dots between The Owl Service (in all its forms) and archaic industrial objects in the middle of nowhere |
Day #289/365: Departed friends… Folk Police Recordings… |
Day #290/365: The first three minutes of Psychomania… |
Day #291/365: Image E/4 |
Day #292/365: Image F/4 |
Day #293/365: Harp And A Monkey, paper wrapped round chips and an aside of late night charabangs |
Day #294/365: Artwork variations |
Day #295/365: A summation of the tools and techniques of the will o’the wisp of hauntology… |
Day #296/365: Howlround’s ether handbill… and a hop, skip and jump to curious links between mirror world reflections of our times, the work of previous audiological explorers, certain English gents and printed/bound spectral considerations… |
Day #297/365: The Department of Psychological Navigation and fragments of fragments of a conversation… |
Day #298/365: Image G/4; Otherly Geometries #2 |
Day #299/365: Image H/4 |
Day #300/365: A slightly overlooked artifact #2; Noah’s Castle and spectacular vs participative media |
Day #301/365: Image I/4 |
Day #302/365: sleep furiously… Views from a slumbering village… |
Day #303/365: Towards Tomorrow; a selection of cuttings from The Delian Mode, sonic maps, the corporation’s cubby holes and the life of an audiological explorer… |
Day #304/365: Artifact #43/52; She Rocola Burn The Witch / Molly Leigh Of The Mother Town CDs released – Owl Light / Dawn Editions |
Day #305/365: Spectral footnotes from Mr Fisher; critical masses and admixtures |
Day #306/365: Image J/4 |
Day #307/365: A journey from a precipice to a cliff edge, via documents of preparing for the end of the world, a curious commercialism, the tonic/lampoonery of laughter, broken cultural circuits and quiet/quietening niches… |
Day #308/365: Artifact #44/52 released; Twalif X – Racker&Orphan limited CD album. Dusk / Dawn / Day / Night Editions. |
Day #309/365: Image K/4 |
Day #310/365: Image L/4; Otherly Geometries #3 |
Day #311/365: Precious Artifacts (Other); Fluid Audio and further corporeal encasements of vibrations in the air… |
Day #312/365: The closing of corner shop portals, island nocturnes and a revisiting of transmissions from after the flood |
Day #313/365: The curiousities of Puffball… “Everything has changed, we don’t belong here…” |
Day #314/365: A further slightly overlooked artifact; Tam Lin, a goddess abroad in the land and the end of utopian dreams? |
Day #315/365: Image M/4 |
Day #315/365: Image N/4 |
Day #316/365: The Detectorists; a gentle roaming in search of the troves left by men who can never sing again |
Day #317/365: Image N/4
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Day #318/365: Artifact #45/52; Otherly Geometries Insignia box o’badges |
Day #319/365: July Skies, explorative pathways followed via Haunted Woodland and the folly of wandering too far from the path… |
Day #320/365: Watching the watchers… |
Day #321/365: Image O/4 |
Day #322/365: Z.P.G.; a return to a curious mini-genre, bleak as an acceptable mode / a world of plastic food and simulated merriment… |
Day #323/365: Image P/4 |
Day #324/365: Who Would Be A Monarch When A Beggar Lives So Well? |
Day #325/365: Artifact #46/52; Grey Frequency Immersion CD album released – Dusk / Dawn Editions |
Day #326/365: Harp In Heaven, curious exoticisms, pathways and flickerings back through the days and years… |
Day #327/365: A fever dream of Haunted Air… |
Day #328/365: From flipsides of a coin to The Flipside; tales from behind the scenes of termagant hunting found in the ether airwaves after a walk through green and not always pleasant lands… |
Day #329/365: A dybukk’s dozen of forgotten banshees… |
Day #330/365: Resistance and the tenuousness of bonds… |
Day #331/365: Artifact #47/52; Hand of Stabs Black-Veined White CD album released – Dusk / Dawn Editions |
Day #332/365: Image Q/4; Folk-horror tropes and visitations #1 |
Day #333/365: An aqueous running through your fingers… |
Day #334/365: Image S/4; Folk-horror tropes and visitations #2 |
Day #335/365: Folk art – a wandering from these shores to other shores and back again… |
Day #336/365: Atom Eye – The Otolith Sessions and a wandering towards imagined villages… |
Day #337/365: Tapes – lost and found (numbers 1-267 and other fortuitous finds) |
Day #338/365: Artifact #48/52; Michael Tanner Nine of Swords limited edition CD released – Dusk / Dawn Editions |
Day #339/365: Image S/4; Folk-horror tropes and visitations #3 |
Day #340/365: Image T/4; Folk-horror tropes and (re)visitations #4 |
Day #341/365: All Clear and the (non)cry of forgotten banshees; totems of memory and future lost focal points… |
Day #342/365: A garden of (un)earthly delights and a wardrobe of fineries… |
Day #343/365: Veils and Mirrors – forebearing, chanellings, rendings, listing of names… |
Day #344/365: Artwork variations |
Day #345/365: Photo romans and a lightness of touch |
Day #346/365: Audiological Reflections and Pathways #1; a library of loss |
Day #347/365: Image U/4 |
Day #348/365: Image V/4 |
Day #349/365: Audiological Reflections and Pathways #2; the semi-random placing of England’s hidden reverse… |
Day #350/365: Audiological Reflections and Pathways #3; A balm to contemporary intensity of input… |
Day #351/365: Artifact #50/52; Greenwood Threshold archival print |
Day #352/365: Audiological Reflections and Pathways #4; a certain high water mark… travelling from a folk rarity to swinging London to The Owl Service and other pathways via the flickerings of old Albion… |
Day #353/365: Audiological Reflections and Pathways #5; an ether gathering of behind the sofa folk flickerings |
Day #354/365: Image W/4 |
Day #355/365: Image X/4 |
Day #356/365: Audiological Reflections and Pathways #6; fading vessellings |
Day #357/365: Audiological Reflections and Pathways #7; recording explorations through the land/s… |
Day #358/365: Artifact #51/52; Archetypal Ephemera box |
Day #359/365: Right Wantonly A-Mumming |
Day #360/365: Image Y/4 |
Day #361/365: Image Z/4 |
Day #362/365: Signals sent, signals received… |
Day #363/365: Other pathways |
Day #364/365: Artifact #52/52; A Year In The Country: The Gateway archival print |
Day #365/365: An English idyll… a midnight sun… |