Released today 31st July 2018.
Both editions are hand-finished and custom printed using archival giclée pigment ink by A Year In The Country
Features work by Gavino Morretti, Sproatly Smith, Field Lines Cartographer, Vic Mars, Circle/Temple, A Year In The Country, The Heartwood Institute, David Colohan, Listening Centre and Pulselovers.
“Reflections on an imaginary film.”
In the late 1960s a film crew began work on a well-funded feature film in a country mansion, having been granted permission by the young heir of the estate.
Amidst rumours of aristocratic decadence, psychedelic use and even possibly dabbling in the occult, the film production collapsed, although it is said that a rough cut of it and the accompanying soundtrack were completed but they are thought to have been filed away and lost amongst storage vaults.
Few of the cast or crew have spoken about events since and any reports from then seem to contradict one another and vary wildly in terms of what actually happened on the set.
A large number of those involved, including a number of industry figures who at the time were considered to have bright futures, simply seemed to disappear or step aside from the film industry following the film’s collapse, their careers seemingly derailed or cast adrift by their experiences.
Little is known of the film’s plot but several unedited sections of the film and its soundtrack have surfaced, found amongst old filmstock sold as a job lot at auction – although how they came to be there is unknown.
The fragments of footage and audio that have appeared seem to show a film which was attempting to interweave and reflect the heady cultural mix of the times; of experiments and explorations in new ways of living, a burgeoning counter culture, a growing interest in and reinterpretation of folk culture and music, early electronic music experimentation, high fashion, psychedelia and the crossing over of the worlds of the aristocracy with pop/counter culture and elements of the underworld.
The Shildam Hall Tapes takes those fragments as its starting point and imagines what the completed soundtrack may have sounded like; creating a soundtrack for a film that never was.
“Every track unsettles and enthrals in equal measure.” Ben Graham, Shindig! magazine
“A gorgeously woven twilight apparition… amid a becoming spectral haze, these chiming serenades shimmer in and out of focus to play tic tac toe with both the enchanted and the eerie.” Mark Barton, The Sunday Experience
Nightfall Edition. Limited to 104 copies. £21.95
Hand-finished box-set contains: album on all black CD, 1 x sheet of accompanying notes, 1 print, 3 x stickers and 3 x badges.
Further packaging details:
1) Cover, notes and print custom printed using archival giclée pigment ink.
2) Contained in a matchbox style sliding two-part rigid matt card box with cover print.
3) Fully black CD (black on top, black on playable side).
4) 1 x folded sheets of accompanying notes, printed on textured laid paper – numbered on back.
5) 1 x print on textured fine art cotton rag paper.
5) 1 x 2.5 cm badge, 1 x 4.5 cm badge.
6) 1 x 5.6 cm sticker, 1 x 3.5 cm sticker, 2 x 12cm stickers.
Dawn Light Edition. Limited to 104 copies. £11.95.
Hand-finished white/black CD album in textured recycled fold out sleeve with fold-out insert and badge.
Further packaging details:
1) Custom printed using archival giclée pigment ink.
2) Includes 2.5 cm badge, secured with removable glue on string bound tag.
3) 1 x folded sheet of accompanying notes, hand numbered on back.
1) Gavino Morretti – Dawn of a New Generation
2) Sproatly Smith – Galloping Backwards
3) Field Lines Cartographer – The Computer
4) Vic Mars – Ext – Day – Overgrown Garden
5) Circle/Temple – Maze Sequence
6) A Year In The Country – Day 12, Scene 2, Take 3; Hoffman’s Fall
7) The Heartwood Institute – Shildam Hall Seance
8) David Colohan – How We’ll Go Out
9) Listening Center – Cultivation I
10) Pulselovers – The Green Leaves of Shildam Hall