Artifact Report #46/52a: The Quietened Cosmologists – Further Reviews and Broadcasts
Some further reviews and broadcasts of The Quietened Cosmologists album, which is:
“…a reflection on space exploration projects that have been abandoned and/or that were never realised, of connected lost or imagined futures and dreams, the intrigue and sometimes melancholia of related derelict sites and technological remnants that lie scattered and forgotten.”
First up is a review in Electronic Sound issue 35 by the magazine’s Commissioning Editor Neil Mason…
…that issue has a classic 1950s/1980s style 3D cover complete with red/blue anaglyph glasses, which is a nice touch and something of a nod to the lineage of 3D now that one of the latest incarnations of 3D in the home is largely coming to an end as manufacturers have mostly stopped making 3D televisions.
Next up is Dave Thompson’s review at his Spin Cycle column on Goldmine magazine’s site:
“…a rumination on what might have been – the space missions that were promised, that were planned and then abandoned, or that never got off even the figurative ground in the first place… Disconnected voices from impossible distances, radio signals, muted melodies, ambitious hope and scientific daydreams…”
Find the column here.
Andrew Young reviews the album at Terrascope:
“Keith Seatman has beats a plenty like a wonky Kraftwerk after they have discovered Steve Birchall’s epic Reality Gates album, proper space rock… Listening Center take us to a strange ticking otherworldy place, a place that feels at once vast and infinite, a haunting slice of space music… The record ends with Landfall at William Creek, David Colohan’s spectral hammered dulcimer peels away into the inky vastness of space, a beautiful end to a fine record.”
Visit the review here.
We Are Cult included the album in a review round up
“…it’s a cracking collection of electronica… about the abandoned, uncelebrated, and unrealised attempts to reach the stars… David Colohan’s desolate Landfall At William Creek perfectly evokes lonely space junk rusting in the wilderness… Keith Seatman’s 093A-Prospero is best described as a sort of interstellar Lieutenant Pigeon.”
An interstellar Lieutenant Pigeon? Well, count me in (!).
Visit the reviews round up here.
The Unquiet Meadow included Pulselovers Lonely Puck amongst some fine company on their show which wanders through and explores the further reaches of folk and where they meet the spectral concerns of hauntology…
In a rounding the circle manner, some time A Year In The Country fellow travellers Pete Wiggs and James Papademetrie of the “phantom seaside radio” show The Séance have included David Colohan and Field Lines Cartographers tracks on two of their show.
In a further rounding of the circle manner, Mat Handley of Pulselovers played David Colohan, Time Attendant and Vic Mars’ tracks on his You, the Night & the Music show.
The Gated Canal Community Radio Show, hosted by record labels Front & Follow and The Geography Trip, played Howlround’s track on their show.
In an interconnected manner, Wyrd Daze included three tracks from the album on their Samhain Seance 6 : Triffid Witch mix, alongside tracks from Front & Follow’s 10th anniversary compilation Lessons and their Blow series, plus the likes of Leyland Kirby and The Haxan Cloak.
Previous reviews and broadcasts of The Quietened Cosmologists:
Artifact Reports #37/52a: The Quietened Cosmologists Writing, Posts and Broadcasts
Artifact Report #38/52a: The Quietened Cosmologists Writing, Posts and Broadcasts
Artifact Report #39/52a: The Quietened Cosmologists at You, the Night & the Music and feuilleton
Artifact Report #44/52a: A Year In The Country at The Golden Apples of the Sun
A tip of the hat to everybody involved. The support is much appreciated.
The Quietened Cosmologists features Field Lines Cartographer, Pulselovers, Magpahi, Howlround, Vic Mars, Unit One, A Year In The Country, Keith Seatman, Grey Frequency, Time Attendant, Listening Center, Polypores and David Colohan.