A selection of some of the reviews and broadcasts of The Quietened Journey album:
“The Quietened Journey reflects with both mourn and celebration on these derelict and decaying memorials to a lost age… The assembled cast provide a perfect sonic journey documenting these empty spaces and decaying echoes of what once was, between the haunting and the nostalgic, all aspects, shadows and memories are uncovered, discovered and recalled anew…” Mark Barton, The Sunday Experience
“The likes of Field Lines Cartographer and Grey Frequency evoke heartbraking radiophonic dreams of overgrown sidings and crumbling platforms, and Pulselovers’ Woodford Halse To Fenny Compton In Five Minutes contrives to make a hypnotic, krautrock synth anthem the perfect celebration of pre-Beeching steam travel. Joyous.” Bob Fischer, Electronic Sound
“Exploring what’s left behind, the rusted and overgrown lines that vanish into the distance, the abandoned stations and buildings that pop up out of nowhere, the ghostly commuters who wait on empty platforms, they’re all here, across ten tracks that occasionally namecheck the relics they are visiting, but are just as likely to close their eyes and not even think of checking the map reference… As always, a wealth of contributors ensure that each journey is very different to the last…” Dave Thompson, Goldmine
Dave Thompson also included The Quietened Journey in his Spin Cycle best of 2019 column at Goldmine magazine’s site. Visit that here.
“A charming new album… invites contributors including The Heartwood Institute and Howlround to create music inspired by memories of abandoned railway lines, stations and roads. Anyone looking for a dose of bucolic calm amidst the frenzy of the festive season would be well advised to use it as the soundtrack for an icy ramble in their favourite overgrown sidings.” Bob Fischer, The Haunted Generation column in Fortean Times, issue 387 (and it can also be found at The Haunted Generation website here).
“A fine meditation on Britain’s abandoned railways and (in two cases) roads, with the usual balance of eerie electronica and atmospheric, acoustic folk here tilted very much towards the former. Woodford Halse To Fanny Compton In Five Minutes by Pulselovers is a rustic, steam-powered Kraftwerk and, at the other end of the line, ‘Along The Valley Sidings’ by Keith Seatman a Hampshire Tangerine Dream. There are moments when the pastoral breaks through however, such as the spectral harpsichord and wordless chanting on Sproatly Smith’s The 19:48 From Farley and the elegiac viola of Bruce White closing The Séance’s Elm Grove Portal. Phantom engines shunt through the night, but the brutal noise bursts of Howlround’s Thrown Open Wide sound like a derailment. We’re left with Grey Frequency’s melancholy An Empty Platform: the last station standing in an age that has long since passed it by.” Ben Graham, Shindig!
“The last release of the year in the series of excellent albums from A Year In The Country… For this latest themed album the subject is abandoned and former railways, railway stations and roads…. Field Line Cartographer deliver a superb ‘Ghosts Of The Wires’ about a pioneering test line for overhead electrification. Dom Cooper and Zosia Sztkowski investigate an old Roman road close to devil’s bridge. Keith Seatman creeps us out with ‘Along The Valley Sidings’ set in the Meon Valley, a terrific atmospheric piece that includes the sounds of ghostly trains, of rotted sleepers and derelict rusty signs. The record finishes with Grey Frequency’s ‘An Empty Platform’ about Tumby Woodside an abandoned station in Lincolnshire, with added field recordings made at the site to record birds, crumbling masonry and rust!” Andrew Young, Terrascope
James Mann included the album amongst his “finds of 2019” at the Ink 19 website. Visit that here.
“The train theme is rendered immediately apparent by the opening piece from Pulselovers, a chugging electronic rhythm which suggests a network still full of life and energy. After this the mood quickly darkens, and we’re left on the platform of a station like the haunted one in Sapphire and Steel, with the sun going down and only the ghosts for company. This is another impressively strong collection, ranging from the wistful memorialising of The Ghosts of Salzcraggie by Widow’s Weeds, and A Year In The Country’s hissing roadway, to Howlaround’s Thrown Open Wide, an eruption of noise prompted, he says, by the rebellion of his machines. The machinery of the railway returns to life on Keith Seatman’s Along The Valley Sidings, another synthesised train journey, before we find ourselves on Grey Frequency’s empty platform. The Quietened Journey is a welcome exploration of a feature of the British landscape which has been given surprisingly little attention, and which is now disappearing altogether. The last train will be departing soon.” John Coulthart, feuilleton
Next up are some of the broadcasts of music from the album:
Pulselover’s Woodford Halse To Fenny Compton In Five Minutes and The Séance’s Elm Grove Portal were featured amongst the esoteric audio wanderings of Pull the Plug, in two separate episodes. Originally broadcast on Resonance FM, the shows are archived at Mixcloud here and here.
In a rounding the circle manner, The Séance’s Elm Grove Portal and Keith Seatman’s Along The Valley Sidings were included on two separate episodes of The Séance’s phantom seaside radio show. Originally broadcast on Radio Reverb, totallyradio and Sine FM, the episode’s tracklistings can be found at the show’s site here and here, and the show’s are archived at Mixcloud here and here.
Sunrise Ocean Bender included The Séance’s Elm Grove Portal, Sproatly Smiths The 19.48 from Fawley and
Pulselovers Woodford Halse To Fenny Compton In Five Minutes on the Everybody Must Get Throned episode of their show (a title which seems both somewhat elegant and also made me chuckle and think of The Jesus and Mary Chain’s Stoned & Dethroned album, alongside the more obvious Bob Dylan reference). Originally broadcast on WRIR FM, the tracklisting can be found here and the show is archived at Mixcloud here.
The Stillness and the Dancing included Widow’s Weed’s The Ghosts of Salzcraggie amongst their shows exploration of, amongst other things, “ambient, drone, post-rock and neoclassical”. Originally broadcast on 15th January 2020 at CRFU, the programme’s archive can be found here and the tracklisting can be found at their tumblr page here.
Mind De-Coder included The Séance’s Elm Grove Portal amongst the psychedelic and hauntological wanderings of their show. The episode is archived at Mixcloud here and the accompanying blog post can be found here.
Thanks and a tip of the hat to everbody involved for the above…
The Quietened Journey is an exploration of abandoned and former railways, railway stations and roads, a reflection on them as locations filled with the history, ghosts and spectres of once busy vibrant times – the journeys taken via them, the stories of the lives of those who travelled, built and worked on them.
Nature is slowly reclaiming, or has already reclaimed, much of this infrastructure, with these testaments to industry and “the age of the train” being often left to quietly crumble and decay.
The Quietened Journey is both a celebration and a lament for these now faded links across the land, of the grand dreams and determination which created them and their layered histories that – as these asphalt ribbons, steel lines and stone built roads once prominently were – are threaded throughout the twentieth century and even back to Roman times.
It features music and accompanying text on the tracks by Pulselovers, Sproatly Smith, The Séance, Widow’s Weeds, The Heartwood Institute, Depatterning, Howlround, A Year In The Country, Field Lines Cartographer, Dom Cooper & Zosia Sztykowski, Keith Seatman and Grey Frequency.
More details can be found here.